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03
Feb
In a modest workshop on a nondescript street in Harrogate, a declining traditional craft is being kept alive.
Peter Wood & Son is one of a small number of organ builders still operating in the UK. The company is run by Mark Wood, a fourth generation organ builder, and his wife Ginny, a former social worker who is among just a handful of women in the industry.
The craft of organ building stretches back more than 1,000 years and has a chequered history in England. Many organs were destroyed during the Reformation, but had become an integral part of church music in the early 1800s. By the mid to late Victorian period congregation numbers had surged and the industry was booming. Visit a church or chapel anywhere today and there is likely to be an organ of some sort, often an original that’s a century or two old.
But with shrinking congregations over the past 50 years or so, the industry has declined and many of its big names lost. A framed board in the office of Peter Wood & Son displays the ornate letterhead designs of some of them. They were contemporaries of Wood Wordsworth, founded in Leeds by Mark’s great-grandfather, John Wood, in 1866. Today, the Institute of British Organ Building (IBO) lists just 32 accredited organ builders, most either one-man firms or with just a small team.
Mark and Ginny, who live in Knaresborough, along with two other members of staff repair, maintain, clean, build and manufacture pipe organs. They carry out around three full historic restorations per year, interspersed with repairs and maintenance work. Locally, the company looks after the large organs in St Peter’s, Christ Church and St Mark’s, as well as smaller ones including the Baptist Church on Victoria Avenue.
Most of the organs they work on are in churches but they can also be found in town halls, schools and private residences. Mark still carries out repair and maintenance work on some of the organs his great-grandfather built in the mid-1800s.
Since 1975, the company has looked after the two organs at Blenheim Palace. One, a Father Willis, is the largest organ in private ownership in Europe, with four keyboards and 2,300 pipes. The other is smaller and is a rare, unaltered example of an organ by Postill of York, built around 1853.
A recent project saw Mark, Ginny and the team carry out the restoration of the swell organ at Bradford Cathedral, taking it back to its 1904 design to more closely resemble its original sound.
As antiques, some of the organs have to be treated carefully, and this can be a challenge when working with the wooden components which can expand and contract. This can be particularly critical for the soundboard.
Mark recalls carrying out the historic restoration of the still-working organ at Whittington in Lancashire, which had been in a very cold, damp church, since 1883. They brought it back to the workshop one summer as the weather hit 32 degrees. He said:
The climate in the workshop can also affect organs brought back from different climates. For many years the company has restored organs in places such as Malaysia, Russia, Australia and Japan. They often dismantle and ship them back to Harrogate as the resources and materials aren’t available to carry out the work in situ. Mark said:
The company has had its fair share of ups and downs, and moved from Leeds to Harrogate in the early 1980s. It was based for a long time at Valley Farm in Bilton, before relocating to its current Grove Park View premises in 2008 when Mark’s father retired.
Mark and Ginny have noticed a rise in demand for their services, especially since the end of the pandemic. They regularly work 70 to 90 hours a week. And yet the industry is in danger of further decline as it struggles to encourage younger people to develop the skills, workmanship and experience to continue this age-old craft. Mark said:
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