Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com

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Whilst the somewhat indelicate title of this Irish tragicomedy may have you doing a double take, don’t think twice about buying a ticket – it’s a performance not to be missed.

Written in 1996 by celebrated playwright Martin McDonagh, who has since found big-screen success with films such as In Bruges and The Banshees of Inisherin, The Cripple of Inishmaan centres on orphan Billy Claven, a disabled youngster living on the remote island of Inishmaan, off the west coast of Ireland, in 1934.

Plagued by the incessant ridicule of his neighbours, he is referred to by all (despite his protestations) as Cripple Billy.

This even extends to his own foster 'aunties', who love him like a son, yet apply the same casual cruelty that is the very lifeblood of this play. Whilst pondering their sickly ward’s future, his aunt, Eileen, doubts he’ll ever be kissed, “…unless it was by a blind girl”.

When a Hollywood film director arrives on a neighbouring island (to film the real-life documentary, The Man of Aran), Billy finally sees his opportunity to escape his miserable existence.

An outrageously dark comedy, the play mixes hilarity, cruelty and kindness with great dexterity, its writing electric, with one uproarious quip after the other.

The Harrogate Dramatic Society cast, under Stuart Kellett’s direction, performing their opening night last night, knew exactly how to deliver every line – particularly impressive for what is a challenging play, jam-packed with dialogue.



This is a pleasingly rounded story with a satisfying arc, but it is also made or broken by the ability to draw its cast of characters, whose absurdity and colourfulness lie at its core; there is no disappointment here, with the HDS’ small yet mighty cast of nine. The Irish accents were out in full force, and the performers’ efforts to maintain these throughout were truly commendable.

Engaging and thoughtfully chosen, the cast proved consistently comic and dependably droll. The play’s sole non-comic player, outcast Billy, was handled by Adam Naylor with great earnestness and vulnerability.

A play like this was made for the simplicity of the studio at Harrogate Theatre. It is one without fuss; a neat piece which hops from scene to scene with real deftness. A clean, no-frills set with few distracting props, this production is really all about its players, who capture both the play’s sentimentality and its more outlandish threads, providing an evening as punchy as potent poteen.

The Cripple of Inishmaan is on tonight and tomorrow evening at Harrogate Theatre, and twice on Saturday. More information is available here.

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