Enthusiasm is mounting for Harrogate to put in a bid to host the Eurovision Song Contest again in 2023.

The European Broadcasting Union, which runs the event, announced yesterday it had concluded this year’s winner, Ukraine, was unable to host the event because of the on going invasion by Russia.

It leaves the door open for the UK, as runner-up, to be next in line to host the event next year.

Speculation has grown rapidly on Twitter about the potential host town or city – and Harrogate’s name has cropped up more than once.

Bring it back to Harrogate. https://t.co/khvYS1Loqy

— Duncan Woods (@the__DAW) June 17, 2022

The prospect has been welcomed by the town’s business leaders. Matthew Chapman, Harrogate BID Manager, said:

“I think it would be absolutely brilliant if Harrogate was to host next year’s Eurovision Song Contest.

“Harrogate is no stranger to staging major international events, and let’s remember 40 years ago Eurovision was held in the newly opened Harrogate Convention Centre.

“Once again, images of the town and wider district would be beamed into homes around the world. It would bring thousands of visitors into the town, give the local economy a massive shot in the arm and benefit many businesses.”

Jan Leeming hosted Eurovision live from Harrogate in 1982.

Sue Kramer, Harrogate District Chamber of Commerce president, said:

“Holding Eurovision would give the town and the district an enormous feel good factor, and with little disruption. It will also attract a significant number of visitors and a huge TV audience. Bring it on!”

Chamber chief executive David Simister added:

“I remember the excitement in the town when we staged it 40 years ago.

“Over the subsequent years the popularity of the Eurovision Song Contest has grown significantly, and hosting it would certainly be a fantastic opportunity for Harrogate.”

However, not everyone seems to feel so positive about it.

https://twitter.com/connormoseleyx/status/1537775214536364032

Having just celebrated the 40th anniversary of it being held in Harrogate, is there a possibility the town could be called on again to welcome fans, contestants and international media?

Sadly, it seems unlikely.

Read more:

• 40 years on: Remembering when Harrogate hosted Eurovision
• 40 years on: Jan Leeming’s memories of when Harrogate hosted Eurovision
• Eurovision fans sing outside Harrogate Convention Centre to mark 40th anniversary

In 1982, Harrogate Convention Centre was chosen because it was a brand new venue – a chance for the UK to show its modern facilities and ways of working.

However, its 2,000 capacity – perfectly adequate at the time – is unlikely to meet the organisers’ needs to accommodate the huge crowds who clamour to attend each year.

This year’s contest in Turin was held at the PalaOlimpico, which has a capacity of up to 15,657 for concerts. Rotterdam Ahoy, which hosted in 2021, can welcome audiences of more than 16,000.

So if not Harrogate, where?

The UK has hosted Eurovision eight times: four in London, and one each in Edinburgh, Brighton and Birmingham, as well as Harrogate.

Near neighbour Leeds is on the list of potential contenders, with the city council quick to confirm it will bid to hold the event at the First Direct arena, with its 13,781 capacity.

In a joint statement, council leader Cllr James Lewis and Cllr Jonathan Pryor, executive member for economy and culture, said:

“It goes without saying that Leeds will be bidding to host Eurovision in 2023. Together with ASM Global, the operators of the First Direct arena in Leeds, we have already been in touch with both the Government and the BBC to discuss our plans.

“Leeds has already proved that it has the capability and capacity to host major international events and ASM Global successfully hosted Eurovision in the Avicii Arena, Stockholm Sweden in 2016. Given that we will be mid-way through the Leeds 2023 year of culture, it could not come at a better time.

“We are extremely disappointed that Ukraine will be unable to host in 2023, but it would be an honour to host on behalf of them, especially given that West Yorkshire is home to a large number of Ukrainians. If we are successful with our bid, we will be looking to get the local Ukrainian community involved with our plans as much as possible.”

Still, Harrogate’s Eurovision enthusiasts can dream that perhaps one day the contest will return – and bring with it some of the profile that came 40 years ago as our European neighbours ask themselves again, “Où est Harrogate?“

On April 24 1982, some 300 million people from 30 countries watched the Eurovision Song Contest in Harrogate.

It remains perhaps the biggest occasion in the town’s history but strangely, you’ll struggle to find any evidence today that it ever took place.

There’s no plaque, no museum exhibition, no statue. Visitors think you’re winding them up when you point to Harrogate Convention Centre and say it hosted the event associated with Abba, Lulu, Terry Wogan and the dreaded ‘nul points’.

But it happened and as the 40th anniversary looms, we have compiled a two-part feature based on the memories of three people who were closely involved on the day, starting today with BBC presenter Jan Leeming.

At Eurovision, whichever country wins gets to host the event the following year so Bucks Fizz’s dress-tearing routine in 1981 triggered a search to find a venue. It would be the fifth time the UK had hosted the event. Three of the previous occasions were in London and one — famously in 1974 when Abba won — in Brighton. Since 1982, the UK has only won Eurovision in 1997.

The opening sequence of the BBC coverage answered the question ‘Where is Harrogate?’.

Tomorrow’s article will look in more detail about why Harrogate was chosen.

But the decision to select a small, relatively unknown town prompted the BBC to begin its more than two-hour live broadcast, which can be viewed here, with a five-minute sequence enlightening viewers to the joys of places like the Stray and the Drum and Monkey.

The phrase ‘Where is Harrogate?’ was emblazoned across the screen in each of the languages of the countries taking part and was followed by a montage of scenes depicting Harrogate as some kind of middle England utopia full of beautiful people, elegant shops and idyllic countryside.

The sequence ended with smiling couples stepping out of limousines at the convention centre on the night of the big event to see if the British pop duo Bardo could win. They couldn’t, eventually fading to seventh behind Nicole, whose song A Little Peace became West Germany’s first ever success. Here are the memories from the woman who held the night together.

Jan Leeming: ‘I was thrilled, flattered — and very worried!’

Speaking to the Stray Ferret, Jan Leeming recalls:

“My agent rang up and said ‘the BBC would like you to present Eurovision’. I was thrilled, flattered and very worried because Katie Boyle had presented it previously and she was fluent in French. Back then the presenter had to speak in English and French. I am an actress and, apparently, I have a good French accent but I am not fluent.

I was told I’d got the job just as my husband and I were going on holiday to Hong Kong so I took the script in my suitcase and learned it while we were away because the camera at the event would be too far away to read the autocue.

Sitting on an accordion outside the convention centre. Pic courtesy of Jan Leeming

I think I arrived in Harrogate a day, maybe two, in advance. There was only one proper rehearsal so we didn’t have much time. When I wasn’t working I was mainly ensconced in a hotel — I can’t remember which one — but I did get a flavour of Harrogate because they took all the contestants around town to do some filming. My best and oldest friend lives in Leeds and I have been to Harrogate with her several times since. It’s a really beautiful town.

Eurovision was the kind of thing the BBC did very well in those days. It was a huge production, with Michael Hurll as overall director. There were 18 countries taking part and 30 countries watching. Every country took their feed from the BBC and had people working on booths at the convention centre. Terry Wogan was working in one of the booths but our paths didn’t cross.

Jan in the dress she didn’t choose to wear. Pic courtesy of Jan Leeming

All 18 countries’ songs were accompanied by the BBC Radio Orchestra. The orchestra was led by Ronnie Hazlehurst but each country brought out their own conductor for their performance.

It was the only time the BBC ever paid for my wardrobe. I had to pay for the clothes I wore when I was reading the news and when I was representing the BBC at evening events. One of my favourite designers was Gina Fratini and I thought it was a wonderful opportunity to wear one of her dresses but the BBC said it would have been too much like an advert for her and I could have a dress made in-house instead. It was a very nice dress but not one I would have chosen, so it was a bit of a sore point. I wouldn’t have minded if the BBC had always paid for my clothes!

Looking up at the scoreboard.

I was paid £1,000 to present Eurovision. My salary when I went from radio to TV was £10,500 and then it gradually increased over several years. In 1982 I was earning about £13,000. So to be paid about £1,000 to present Eurovision was fantastic. In those days men were paid far more than women and we had to put up with it. As one person told me when I remonstrated — “if you don’t like it, Miss Leeming, there’s the door”.

My nerves were awful when I walked out at the start of the show. I do remember writing in my diary that I would have given anything for a train ticket home. Most actors and presenters tell you nerves never leave you and frankly, they’re what enhance your performance.

It turned out to be a wonderful occasion. I don’t remember much about the show but I remember the party afterwards because the Spanish guitarist asked me to dance. He tossed me around the floor and then wrote on my invitation to the party ‘mi casa, su casa’ (my house is your house) — and I never saw him again! I kept that invitation until a few years ago.

The cake sent by Silvio’s. Pic courtesy of Jan Leeming

There was a business in Harrogate called Silvio’s and it sent me the most beautiful cake, which obviously was shared out amongst the crew. But I didn’t stay long afterwards. I had a husband and a son to get home to.

The UK didn’t host Eurovision again for years because we didn’t win it again until 1997 and the winners got to host it the following year. Then in 2003 we got ‘nul points’.

I wouldn’t have chosen the winning song. I was very surprised that it won. It was called A Little Peace and it was sung by a German girl called Nicole who went on to have a long career, in fact I think she’s still going. But there was more variety and individuality to the songs then. They all seem to be written to the same format now. Everybody copies everyone else. But perhaps I’m only saying that because I’m an old lady now!

Wearing her Eurovision dress shortly before it was auctioned. Pic courtesy of Jan Leeming

The BBC gave me the Eurovision dress and I kept it for years, waiting to find it an appropriate home. Eventually I gave it to Celebrity Cash in the Attic to be sold by auction in 2014 because I wanted to promote the male testicular cancer charity Orchid. It was auctioned in Chiswick and went for £250.

Prior to 1982 the UK had won Eurovision five times. Since 1982 we have only won it once. Terry Wogan sort of made fun of it and I don’t think the English take it seriously enough. Sweden apparently runs six weeks of heats. Terry called it the Euro Yawn or the Euro Bore but back then it was watched by over 300m people. I looked up what it gets these days and now with all the hype it only gets 100m.

Mind you there wasn’t that much telly around back then. Now you have 360 channels and nothing to watch. Everything was a bit different in the 1980s. It was before the cult of celebrity and social media. I don’t seem to recall it having all the razzmatazz of Eurovisions today.

Eurovision wasn’t quite the pinnacle of my career: the pinnacle was a documentary I made after five years of research into a free French pilot called Rene Mouchotte whose name is on the Battle of Britain memorial. You can watch it here. That was the biggest achievement of my career. But Eurovision was very near the pinnacle. It was an absolute honour and privilege to present it.

Jan Leeming’s new podcast Addicted to Love is now available on Spotify, iTunes etc. Further information is available here or on Twitter @Jan_Leeming.