A Harrogate-born man will represent the UK at the world’s biggest music competition tomorrow night.

Olly Alexander, frontman of UK-chart-topping band Years & Years, will go head-to-head with 25 other countries in the grand final of the Eurovision Song Contest in Malmö.

The competition celebrates its 68th anniversary this year and marks the beginning of Olly’s solo career after more than a decade of success with Years & Years.

The group achieved two number one UK albums, 10 UK top 40 singles and, most recently, were awarded the BRIT Billion Award after reaching 6.5 billion global streams.

But Olly will tomorrow face other European hopefuls alone – all competing to follow in ABBA’s footsteps 50 years on.

In an interview with the BBC, he said:

“I’m feeling very proud to be representing the UK with my song Dizzy. I can’t believe that it’s happening to be honest with you, this whole experience feels like a dream.

“I’ve watched Eurovision since I was a kid and now that I’m going to be out there on the stage, flying the flag for my country. It’s quite overwhelming but very exciting.”

He also said he has one pre-stage ritual, which is to “hug whoever I’m going on stage with”.

Olly Alexander rehearsing for Eurovision. Pic: BBC/Mercury Studios Media Limited.

However, Olly also told the BBC he did the one thing Eurovision contestants shouldn’t do – he looked at his odds – and it appears the UK doesn’t stand a great chance of winning (again).

“My odds for winning are at one per cent”, he told the BBC, adding “but that’s fine. It’s better than zero”.

According to EurovisionWorld.com, Croatia is favourite to win, with a 38% chance of success. Israel and Switzerland are next.

The competition is being held in Malmö following Sweden’s seventh win last year.

The final of the Eurovision Song Contest will be streamed on BBC One and BBC iPlayer at 8pm tomorrow night (Saturday, May 11).

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It was during an open day at a lido in Cumbria that composer and playwright Emily Roberts found the inspiration for her latest musical. 

The premise of All Those On Board suddenly popped into her head while she was chatting to campaigners of a multi-million pound project to bring the lido at Grange-over-Sands, which closed in 1993, back into use. 

The musical, which will run on selected dates in May and June, tells the story of a group of people trying to save and re-open a derelict lido. Emily, a fan of open water swimming, said: 

“I do love lidos. I went to Ilkley Lido a lot as a child and it gets a mention in my script, based on my memories of Wagon Wheels, crisps and queuing up on the tarmac.

“My musicals usually have a love story at heart, but this is different, it’s more of an ensemble piece. Although I suppose it is a kind of love story – it’s about the love of a lido and doing something for the love of community.” 

Inspiration

A classically trained pianist who teaches music at schools in Harrogate and Boroughbridge, Emily writes musicals in her spare time and always has a few ideas and titles floating around her mind, waiting to be developed. 

Currently, there’s one called When The Bell Goes based on her years of classroom teaching. There’s Just Twelve Days about a group of people trying to get Christmas back to being a 12-day festival rather than starting in September (Emily puts her tree up on Christmas Eve). Then there’s a vague notion about a ‘bad taste bookies’ which doesn’t yet have a title. 

At some point, Emily will get a flash of inspiration that gives her the hook she needs to develop one of them. She’ll then start with a rough storyline, followed by the opening number, something slower in the middle and then the finale. Once she gets going, it usually takes her two or three months to write. She said:

“I start by thinking of the style of the songs. I like writing songs that are part of the story – it’s much more fun. But I also want them to be able to stand alone, to be accessible and catchy. I like a good song that you can sing afterwards, like in The Sound of Music, Calamity Jane and Grease. But my initial plan can change quite dramatically. Anything can happen.”

Writing as ECR Roberts, Emily describes her musicals as upbeat with a couple of more poignant moments. She presented her first one, a romantic comedy of errors called Christoper Lonesome, 22 years ago. It was performed by students at Leeds Grammar School, where Emily was a teacher at the time, because she couldn’t find a venue willing to put on a show by an unknown writer. It was a sell-out, but it was a decade before Emily found the time in her busy life to write another one.

Going Grey was staged in the summer of 2013. It told the story of a recently-widowed woman who had met someone new and was performed to such great success in York that the following year it ran for 15 nights in venues across London and North Yorkshire.

Personal experience

Emily’s shows are often based on personal experience. Her third musical, The Pecking Order, was produced in 2018. It came about after Emily moved from York to Kirkby Malzeard near Ripon, giving her the experience of living in a rural community to flesh out her idea for a ‘farming boy meets city girl’ storyline. 

Her fourth musical, Let Me Be The One, was inspired by the UK’s worst ever decade in the Eurovision Song Contest, when it failed to reach the top ten at any point from 2010. Watching on TV as Michael Rice came last in 2019, Emily, a long-time fan of Eurovision who had always wanted to write a musical about it, had her lightbulb moment. She said: 

“It really struck me that it was the end of such a bad decade for the UK. I had the idea to set the story at that moment in time and focus on two fans and their efforts to help the UK get back in the top ten of Eurovision. The story ends on the finals night of 2020.” 

She wrote the show in anticipation of presenting it before the real contest in 2020, and even received sponsorship to take the show to Rotterdam, that year’s host. But when the pandemic put paid to those plans, she made it into a film instead and later took it to London and Knaresborough. 

Emily on guitar as part of a group of Eurovision fans outside the Conference Centre on the 40th anniversary of Harrogate hosting the competition.

With each musical, Emily learns something new. After lugging around three big bales of straw for The Pecking Order, she’s since stuck to more manageable props: All Those On Board features just eight deckchairs and some beach balls. Little things have made a big difference, such as placing songs to bring a scene to an end rather than them being an interruption in the middle of it. Instead of using a small band to accompany the shows, musical instruments are now incorporated into props or furniture and played by the cast for a more seamless production.   

All the shows are presented by Drip Drop Theatre Company, which Emily set up for her second musical and  named after a phrase from Azerbaijan’s 2010 Eurovision entry. The company’s cast members join mainly through word of mouth, with most coming from Kirkby Malzeard, Burton Leonard, Ripon and Ilkley. As well as writing the song music and lyrics, Emily also writes the script and the choreography, directs each show, occasionally performs, and does all the publicity and admin. She said:

“The whole joy for me is creating the music and the lyrics together. I particularly love trying to find quirky little rhymes and making the emphasis of the words fit the emphasis of the music. Cole Porter is my favourite of all musical writers. His music and lyrics are so beautifully written. He had such a way with marrying the lyrics with the musicality of the score.

And I really enjoy the choreography. When I write the shows now, I’m already thinking about the choreography.”

All Those On Board runs at seven venues including Ripley, Ripon and Kirkby Malzeard from May 30 to June 8. Tickets cost £10 for adults and £8 for under 21s (booking fee applies) and can be booked here.

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A Harrogate-born pop star will represent the United Kingdom at the 68th Eurovision Song Contest next year.

Olly Alexander, frontman of UK-chart-topping band Years & Years, announced the news on the Strictly Come Dancing final on Saturday night.

The contest, which is being held in Malmö in Sweden, will mark the beginning of Olly’s solo career.

In a press release published by the BBC, he said:

“I’ve loved watching Eurovision ever since I was a little kid and I’m beyond excited to be taking part next year.

“As a young boy I always looked forward to this incredible event of unbridled joy, the wonderfully chaotic mix of musical styles, theatrical performances, heartfelt emotion and humour.

“I really can’t believe I’m going to be a part of such a special legacy and fly the flag for the UK in the gayest way possible, it shall be an honour.”

Despite this being his first solo venture, Olly is no stranger to global success.

Since 2015, Years and Years have scored two number one UK albums, 10 UK top 40 singles and, most recently, were awarded the BRIT Billion Award after achieving 6.5 billion global streams.

He has also worked with the likes of Sir Elton John, Kylie and Pet Shop Boys.

He added:

“I’ve wanted to do this for a long time and it feels like the right moment to start releasing music under my own name.

“I’m determined to give it everything I’ve got and put on an excellent and unforgettable performance for you all.”

But the Harrogate-born star is not just a singer – he has also received prestigious recognition for his acting skills.

Olly starred in the Channel 4 drama It’s A Sin, which won best new drama at the National Television Awards.

He was also nominated for leading actor at the BAFTA Television Awards for the same programme.

Kalpna Patel-Knight, head of entertainment at the BBC, also said:

“To have an artist of Olly Alexander’s calibre representing the UK in Malmö in 2024 is testament to just how much the BBC wants to keep momentum of Eurovision riding high since the UK had the honour of hosting the contest on behalf of Ukraine in Liverpool earlier this year.

“Olly is the perfect ambassador for the UK as both an immensely talented and world-renowned artist and passionate fan of the competition.”

Olly’s Eurovision song, co-written by British producer Danny L Harle, has not yet been released.

All three live Eurovision programmes – including two semi-finals and the final – will be broadcast on BBC One and BBC iPlayer.

They will be held on May 7, 9 and 11, 2024.

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Enthusiasm is mounting for Harrogate to put in a bid to host the Eurovision Song Contest again in 2023.

The European Broadcasting Union, which runs the event, announced yesterday it had concluded this year’s winner, Ukraine, was unable to host the event because of the on going invasion by Russia.

It leaves the door open for the UK, as runner-up, to be next in line to host the event next year.

Speculation has grown rapidly on Twitter about the potential host town or city – and Harrogate’s name has cropped up more than once.

Bring it back to Harrogate. https://t.co/khvYS1Loqy

— Duncan Woods (@the__DAW) June 17, 2022

The prospect has been welcomed by the town’s business leaders. Matthew Chapman, Harrogate BID Manager, said:

“I think it would be absolutely brilliant if Harrogate was to host next year’s Eurovision Song Contest.

“Harrogate is no stranger to staging major international events, and let’s remember 40 years ago Eurovision was held in the newly opened Harrogate Convention Centre.

“Once again, images of the town and wider district would be beamed into homes around the world. It would bring thousands of visitors into the town, give the local economy a massive shot in the arm and benefit many businesses.”

Jan Leeming hosted Eurovision live from Harrogate in 1982.

Sue Kramer, Harrogate District Chamber of Commerce president, said:

“Holding Eurovision would give the town and the district an enormous feel good factor, and with little disruption. It will also attract a significant number of visitors and a huge TV audience. Bring it on!”

Chamber chief executive David Simister added:

“I remember the excitement in the town when we staged it 40 years ago.

“Over the subsequent years the popularity of the Eurovision Song Contest has grown significantly, and hosting it would certainly be a fantastic opportunity for Harrogate.”

However, not everyone seems to feel so positive about it.

https://twitter.com/connormoseleyx/status/1537775214536364032

Having just celebrated the 40th anniversary of it being held in Harrogate, is there a possibility the town could be called on again to welcome fans, contestants and international media?

Sadly, it seems unlikely.

Read more:

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In 1982, Harrogate Convention Centre was chosen because it was a brand new venue – a chance for the UK to show its modern facilities and ways of working.

However, its 2,000 capacity – perfectly adequate at the time – is unlikely to meet the organisers’ needs to accommodate the huge crowds who clamour to attend each year.

This year’s contest in Turin was held at the PalaOlimpico, which has a capacity of up to 15,657 for concerts. Rotterdam Ahoy, which hosted in 2021, can welcome audiences of more than 16,000.

So if not Harrogate, where?

The UK has hosted Eurovision eight times: four in London, and one each in Edinburgh, Brighton and Birmingham, as well as Harrogate.

Near neighbour Leeds is on the list of potential contenders, with the city council quick to confirm it will bid to hold the event at the First Direct arena, with its 13,781 capacity.

In a joint statement, council leader Cllr James Lewis and Cllr Jonathan Pryor, executive member for economy and culture, said:

“It goes without saying that Leeds will be bidding to host Eurovision in 2023. Together with ASM Global, the operators of the First Direct arena in Leeds, we have already been in touch with both the Government and the BBC to discuss our plans.

“Leeds has already proved that it has the capability and capacity to host major international events and ASM Global successfully hosted Eurovision in the Avicii Arena, Stockholm Sweden in 2016. Given that we will be mid-way through the Leeds 2023 year of culture, it could not come at a better time.

“We are extremely disappointed that Ukraine will be unable to host in 2023, but it would be an honour to host on behalf of them, especially given that West Yorkshire is home to a large number of Ukrainians. If we are successful with our bid, we will be looking to get the local Ukrainian community involved with our plans as much as possible.”

Still, Harrogate’s Eurovision enthusiasts can dream that perhaps one day the contest will return – and bring with it some of the profile that came 40 years ago as our European neighbours ask themselves again, “Où est Harrogate?“

On April 24 1982, millions of people from 30 countries had their eyes on Harrogate when the town hosted the 27th Eurovision Song Contest.

Four decades later, it seems almost unbelievable that little Harrogate got to host one of the biggest events in Europe. It turned out to be an occasion to remember.

Harrogate historian Malcolm Neesam recalls in one of his books:

“The contest itself was a great publicity coup for the town, generating a tremendous atmosphere.

“Michael Hine, former Harrogate tourism promotion manager, said ‘It was the most exciting event to work on and it promoted the newly built conference centre to the world… The atmosphere in the town was truly amazing. “

How the conference centre looked on the night.

On the four previous occasions the UK had staged the event, it had been held three times in London and once in Brighton. But in 1982, Harrogate had a shiny new conference centre up its sleeve when the search was on for a venue.

Philip Broadbank, who is the only surviving Harrogate borough councillor from 1982, looks back on the manoeuvrings that led to its selection and recalls the trial night.

Then Giles Rocholl, a 19-year-old trainee press photographer at the time, gives his memories of a week like no other in Harrogate’s history.

Philip Broadbank: ‘It showed Europe there was life outside London’

“When the UK won the Eurovision Song Contest in 1981 it was widely known that a UK venue would be needed and I think somewhere outside London was sought – probably to show the rest of Europe that there was life in the UK outside London!

It was known that the conference centre in Harrogate would be open and available for use and that it was big enough to host the event. Harrogate wanted something big to show the conference centre off and the organisers of the event were asked to consider Harrogate to host the venue. It was accepted as the venue and it was scheduled to be the big opening event of Harrogate Conference Centre.

I don’t recall any bids being made but the event was seen as a huge publicity boost for our district. I wasn’t involved in the behind-the-scenes negotiations and it was kept confidential until it was deemed certain to go ahead.

The signs on the convention centre.

I am the only councillor left who was on Harrogate Borough Council in 1982 and none of the staff involved then are still working for it. Tony Miles was the officer in charge of the centre – he passed away some time ago. Paul Lewis was deputy director of the conference centre and I think he is now living somewhere in Wales.

My recollection is that everybody involved the construction of the conference centre was confident that it would be open for business by April 1982. They were looking for a big event that would draw attention to the building and the district and when the UK won the 1981 contest.

In those days the venue was big enough to host the Eurovision Song Contest – something that would not be possible now. In March 1982 there were a couple of events held at the centre to test out the technical, organisation and sound arrangements and there was the trial run held on the Friday night. There was quite a buzz about the place because such an event with a potential live audience of around 250 million people certainly put the district on the map.

Jan Leeming looking at the scoreboard.

There was a dress rehearsal the night before and nearly 2,000 free tickets were distributed to local people to be in the audience. My wife and I were there and it was a great night with lots of interest and excitement both for the event itself and the opening of the centre after six long years and controversial problems and issues with the construction of the building.

We picked out the song that we thought would win – A Little Peace by Nicole of West Germany, which did indeed turn out to be the winner. There was one act, from Denmark whose singer jumped around on stage and hit a giant pom-pom on his head while singing the song in Danish. He stormed off stage halfway through his song because he resented the audience laughter at his act.

Nobody could understand why until the following night, when it was televised live, Terry Wogan explained it was a song about not having the nuclear bomb dropped on his head. Obviously the Friday night audience didn’t have the benefit of subtitles to read while the artists were performing.

The Eurovision Song Contest broadcast obviously put Harrogate on the European map that night and helped to promote the centre for bookings.”

Giles Rocholl: ‘It was a week-long festival of fun’

Photographer Giles Rocholl was a 19-year-old trainee press photographer at Ackrill Newspapers Group, which was based at Herald Buildings, Montpellier. The site later became the Slug & Lettuce pub.

“In the three years I had worked, this was by far the biggest news event the town had hosted. Swarms of photographers and news crews from all over Europe descended on Harrogate. The hotels were fully booked with parties and photo opportunities throughout the week running up to the big night.

Giles Rocholl (centre) with UK Eurovision entrants Bardo. Pic courtesy of Giles Rocholl

“It felt like a festival of fun and I managed to cover several events over the week. So many languages, colourful costumes, laughing and singing — it was an exciting and vibrant time.

“I was envious of the German photographers’ top of the range camera kit and particularly their Metz Flashguns — a beast of light production. I got one a few years later for myself.

“On the big night I remember having a brief chat with the late, great Terry Wogan and snapping a photo of my editor’s wife Rosie with him before the contest. Jan Leeming looked stunning and even more charming than she appeared on TV.

Giles Rocholl’s picture of West German winner Nicole. Pic courtesy of Giles Rocholl

“During the show the press had our own hall to view the events going on above us on stage at the conference centre and when the winner Nicole was announced the German photographers all leapt up and were overjoyed.

“We photographers were all escorted up to the stage by security and Nicole and her band were lined up ready for us. As we all filed in, I felt I could not get a good photo because I was squeezed out by the mass of photographers so I very naughtily broke ranks and went around the back of the performers as I saw they were turning around to wave and thank the audience.

“I managed to get the shot I wanted of Nicole and felt that having all the photographers in the background added to the focus on her. Happy days!”

On April 24 1982, some 300 million people from 30 countries watched the Eurovision Song Contest in Harrogate.

It remains perhaps the biggest occasion in the town’s history but strangely, you’ll struggle to find any evidence today that it ever took place.

There’s no plaque, no museum exhibition, no statue. Visitors think you’re winding them up when you point to Harrogate Convention Centre and say it hosted the event associated with Abba, Lulu, Terry Wogan and the dreaded ‘nul points’.

But it happened and as the 40th anniversary looms, we have compiled a two-part feature based on the memories of three people who were closely involved on the day, starting today with BBC presenter Jan Leeming.

At Eurovision, whichever country wins gets to host the event the following year so Bucks Fizz’s dress-tearing routine in 1981 triggered a search to find a venue. It would be the fifth time the UK had hosted the event. Three of the previous occasions were in London and one — famously in 1974 when Abba won — in Brighton. Since 1982, the UK has only won Eurovision in 1997.

The opening sequence of the BBC coverage answered the question ‘Where is Harrogate?’.

Tomorrow’s article will look in more detail about why Harrogate was chosen.

But the decision to select a small, relatively unknown town prompted the BBC to begin its more than two-hour live broadcast, which can be viewed here, with a five-minute sequence enlightening viewers to the joys of places like the Stray and the Drum and Monkey.

The phrase ‘Where is Harrogate?’ was emblazoned across the screen in each of the languages of the countries taking part and was followed by a montage of scenes depicting Harrogate as some kind of middle England utopia full of beautiful people, elegant shops and idyllic countryside.

The sequence ended with smiling couples stepping out of limousines at the convention centre on the night of the big event to see if the British pop duo Bardo could win. They couldn’t, eventually fading to seventh behind Nicole, whose song A Little Peace became West Germany’s first ever success. Here are the memories from the woman who held the night together.

Jan Leeming: ‘I was thrilled, flattered — and very worried!’

Speaking to the Stray Ferret, Jan Leeming recalls:

“My agent rang up and said ‘the BBC would like you to present Eurovision’. I was thrilled, flattered and very worried because Katie Boyle had presented it previously and she was fluent in French. Back then the presenter had to speak in English and French. I am an actress and, apparently, I have a good French accent but I am not fluent.

I was told I’d got the job just as my husband and I were going on holiday to Hong Kong so I took the script in my suitcase and learned it while we were away because the camera at the event would be too far away to read the autocue.

Sitting on an accordion outside the convention centre. Pic courtesy of Jan Leeming

I think I arrived in Harrogate a day, maybe two, in advance. There was only one proper rehearsal so we didn’t have much time. When I wasn’t working I was mainly ensconced in a hotel — I can’t remember which one — but I did get a flavour of Harrogate because they took all the contestants around town to do some filming. My best and oldest friend lives in Leeds and I have been to Harrogate with her several times since. It’s a really beautiful town.

Eurovision was the kind of thing the BBC did very well in those days. It was a huge production, with Michael Hurll as overall director. There were 18 countries taking part and 30 countries watching. Every country took their feed from the BBC and had people working on booths at the convention centre. Terry Wogan was working in one of the booths but our paths didn’t cross.

Jan in the dress she didn’t choose to wear. Pic courtesy of Jan Leeming

All 18 countries’ songs were accompanied by the BBC Radio Orchestra. The orchestra was led by Ronnie Hazlehurst but each country brought out their own conductor for their performance.

It was the only time the BBC ever paid for my wardrobe. I had to pay for the clothes I wore when I was reading the news and when I was representing the BBC at evening events. One of my favourite designers was Gina Fratini and I thought it was a wonderful opportunity to wear one of her dresses but the BBC said it would have been too much like an advert for her and I could have a dress made in-house instead. It was a very nice dress but not one I would have chosen, so it was a bit of a sore point. I wouldn’t have minded if the BBC had always paid for my clothes!

Looking up at the scoreboard.

I was paid £1,000 to present Eurovision. My salary when I went from radio to TV was £10,500 and then it gradually increased over several years. In 1982 I was earning about £13,000. So to be paid about £1,000 to present Eurovision was fantastic. In those days men were paid far more than women and we had to put up with it. As one person told me when I remonstrated — “if you don’t like it, Miss Leeming, there’s the door”.

My nerves were awful when I walked out at the start of the show. I do remember writing in my diary that I would have given anything for a train ticket home. Most actors and presenters tell you nerves never leave you and frankly, they’re what enhance your performance.

It turned out to be a wonderful occasion. I don’t remember much about the show but I remember the party afterwards because the Spanish guitarist asked me to dance. He tossed me around the floor and then wrote on my invitation to the party ‘mi casa, su casa’ (my house is your house) — and I never saw him again! I kept that invitation until a few years ago.

The cake sent by Silvio’s. Pic courtesy of Jan Leeming

There was a business in Harrogate called Silvio’s and it sent me the most beautiful cake, which obviously was shared out amongst the crew. But I didn’t stay long afterwards. I had a husband and a son to get home to.

The UK didn’t host Eurovision again for years because we didn’t win it again until 1997 and the winners got to host it the following year. Then in 2003 we got ‘nul points’.

I wouldn’t have chosen the winning song. I was very surprised that it won. It was called A Little Peace and it was sung by a German girl called Nicole who went on to have a long career, in fact I think she’s still going. But there was more variety and individuality to the songs then. They all seem to be written to the same format now. Everybody copies everyone else. But perhaps I’m only saying that because I’m an old lady now!

Wearing her Eurovision dress shortly before it was auctioned. Pic courtesy of Jan Leeming

The BBC gave me the Eurovision dress and I kept it for years, waiting to find it an appropriate home. Eventually I gave it to Celebrity Cash in the Attic to be sold by auction in 2014 because I wanted to promote the male testicular cancer charity Orchid. It was auctioned in Chiswick and went for £250.

Prior to 1982 the UK had won Eurovision five times. Since 1982 we have only won it once. Terry Wogan sort of made fun of it and I don’t think the English take it seriously enough. Sweden apparently runs six weeks of heats. Terry called it the Euro Yawn or the Euro Bore but back then it was watched by over 300m people. I looked up what it gets these days and now with all the hype it only gets 100m.

Mind you there wasn’t that much telly around back then. Now you have 360 channels and nothing to watch. Everything was a bit different in the 1980s. It was before the cult of celebrity and social media. I don’t seem to recall it having all the razzmatazz of Eurovisions today.

Eurovision wasn’t quite the pinnacle of my career: the pinnacle was a documentary I made after five years of research into a free French pilot called Rene Mouchotte whose name is on the Battle of Britain memorial. You can watch it here. That was the biggest achievement of my career. But Eurovision was very near the pinnacle. It was an absolute honour and privilege to present it.

Jan Leeming’s new podcast Addicted to Love is now available on Spotify, iTunes etc. Further information is available here or on Twitter @Jan_Leeming.