A group of die-hard Eurovision fans gathered outside the Harrogate Convention Centre yesterday evening to celebrate the night, 40 years ago, when Harrogate hosted the event.

Getting into the Eurovision spirit, the fans strummed a guitar and sang 10 songs, including UK winners such as Katrina and the Waves “love shine a light”.

Eloise Flint, her sister Emily Roberts and her nephew Alex Hill, all from the Harrogate district, were part of the group.

Eloise couldn’t remember exactly how many times she’s been to a Eurovision – it’s that many. Maybe nine or 10 she thought.  The event she said is magical:

“It is an amazing spectacle! It’s technologically very impressive especially with the way the songs are presented. There is fantastic creativity.

“The audience and the fans are incredible – it’s like we are one big Eurovision family.”

Emily Roberts on guitar

Read More:

• 40 years on: Jan Leeming’s memories of when Harrogate hosted Eurovision
• 40 years on: Remembering when Harrogate hosted Eurovision

The group ended by singing the 1982 winner for Germany, Nicole’s “a little peace”.

Eloise said the song is particularly poignant this year with war in Ukraine:

“We’re ending on this song as it was the winning song in Harrogate – but it seems the message is as relevant today as it was 40 years ago”.

The next Eurovision is just a few weeks away in Turin, Italy.

If you are thinking of having a punt, the Stray Ferret has been reliably told Sweden and Belgium are the ones to watch.

On April 24 1982, millions of people from 30 countries had their eyes on Harrogate when the town hosted the 27th Eurovision Song Contest.

Four decades later, it seems almost unbelievable that little Harrogate got to host one of the biggest events in Europe. It turned out to be an occasion to remember.

Harrogate historian Malcolm Neesam recalls in one of his books:

“The contest itself was a great publicity coup for the town, generating a tremendous atmosphere.

“Michael Hine, former Harrogate tourism promotion manager, said ‘It was the most exciting event to work on and it promoted the newly built conference centre to the world… The atmosphere in the town was truly amazing. “

How the conference centre looked on the night.

On the four previous occasions the UK had staged the event, it had been held three times in London and once in Brighton. But in 1982, Harrogate had a shiny new conference centre up its sleeve when the search was on for a venue.

Philip Broadbank, who is the only surviving Harrogate borough councillor from 1982, looks back on the manoeuvrings that led to its selection and recalls the trial night.

Then Giles Rocholl, a 19-year-old trainee press photographer at the time, gives his memories of a week like no other in Harrogate’s history.

Philip Broadbank: ‘It showed Europe there was life outside London’

“When the UK won the Eurovision Song Contest in 1981 it was widely known that a UK venue would be needed and I think somewhere outside London was sought – probably to show the rest of Europe that there was life in the UK outside London!

It was known that the conference centre in Harrogate would be open and available for use and that it was big enough to host the event. Harrogate wanted something big to show the conference centre off and the organisers of the event were asked to consider Harrogate to host the venue. It was accepted as the venue and it was scheduled to be the big opening event of Harrogate Conference Centre.

I don’t recall any bids being made but the event was seen as a huge publicity boost for our district. I wasn’t involved in the behind-the-scenes negotiations and it was kept confidential until it was deemed certain to go ahead.

The signs on the convention centre.

I am the only councillor left who was on Harrogate Borough Council in 1982 and none of the staff involved then are still working for it. Tony Miles was the officer in charge of the centre – he passed away some time ago. Paul Lewis was deputy director of the conference centre and I think he is now living somewhere in Wales.

My recollection is that everybody involved the construction of the conference centre was confident that it would be open for business by April 1982. They were looking for a big event that would draw attention to the building and the district and when the UK won the 1981 contest.

In those days the venue was big enough to host the Eurovision Song Contest – something that would not be possible now. In March 1982 there were a couple of events held at the centre to test out the technical, organisation and sound arrangements and there was the trial run held on the Friday night. There was quite a buzz about the place because such an event with a potential live audience of around 250 million people certainly put the district on the map.

Jan Leeming looking at the scoreboard.

There was a dress rehearsal the night before and nearly 2,000 free tickets were distributed to local people to be in the audience. My wife and I were there and it was a great night with lots of interest and excitement both for the event itself and the opening of the centre after six long years and controversial problems and issues with the construction of the building.

We picked out the song that we thought would win – A Little Peace by Nicole of West Germany, which did indeed turn out to be the winner. There was one act, from Denmark whose singer jumped around on stage and hit a giant pom-pom on his head while singing the song in Danish. He stormed off stage halfway through his song because he resented the audience laughter at his act.

Nobody could understand why until the following night, when it was televised live, Terry Wogan explained it was a song about not having the nuclear bomb dropped on his head. Obviously the Friday night audience didn’t have the benefit of subtitles to read while the artists were performing.

The Eurovision Song Contest broadcast obviously put Harrogate on the European map that night and helped to promote the centre for bookings.”

Giles Rocholl: ‘It was a week-long festival of fun’

Photographer Giles Rocholl was a 19-year-old trainee press photographer at Ackrill Newspapers Group, which was based at Herald Buildings, Montpellier. The site later became the Slug & Lettuce pub.

“In the three years I had worked, this was by far the biggest news event the town had hosted. Swarms of photographers and news crews from all over Europe descended on Harrogate. The hotels were fully booked with parties and photo opportunities throughout the week running up to the big night.

Giles Rocholl (centre) with UK Eurovision entrants Bardo. Pic courtesy of Giles Rocholl

“It felt like a festival of fun and I managed to cover several events over the week. So many languages, colourful costumes, laughing and singing — it was an exciting and vibrant time.

“I was envious of the German photographers’ top of the range camera kit and particularly their Metz Flashguns — a beast of light production. I got one a few years later for myself.

“On the big night I remember having a brief chat with the late, great Terry Wogan and snapping a photo of my editor’s wife Rosie with him before the contest. Jan Leeming looked stunning and even more charming than she appeared on TV.

Giles Rocholl’s picture of West German winner Nicole. Pic courtesy of Giles Rocholl

“During the show the press had our own hall to view the events going on above us on stage at the conference centre and when the winner Nicole was announced the German photographers all leapt up and were overjoyed.

“We photographers were all escorted up to the stage by security and Nicole and her band were lined up ready for us. As we all filed in, I felt I could not get a good photo because I was squeezed out by the mass of photographers so I very naughtily broke ranks and went around the back of the performers as I saw they were turning around to wave and thank the audience.

“I managed to get the shot I wanted of Nicole and felt that having all the photographers in the background added to the focus on her. Happy days!”

On April 24 1982, some 300 million people from 30 countries watched the Eurovision Song Contest in Harrogate.

It remains perhaps the biggest occasion in the town’s history but strangely, you’ll struggle to find any evidence today that it ever took place.

There’s no plaque, no museum exhibition, no statue. Visitors think you’re winding them up when you point to Harrogate Convention Centre and say it hosted the event associated with Abba, Lulu, Terry Wogan and the dreaded ‘nul points’.

But it happened and as the 40th anniversary looms, we have compiled a two-part feature based on the memories of three people who were closely involved on the day, starting today with BBC presenter Jan Leeming.

At Eurovision, whichever country wins gets to host the event the following year so Bucks Fizz’s dress-tearing routine in 1981 triggered a search to find a venue. It would be the fifth time the UK had hosted the event. Three of the previous occasions were in London and one — famously in 1974 when Abba won — in Brighton. Since 1982, the UK has only won Eurovision in 1997.

The opening sequence of the BBC coverage answered the question ‘Where is Harrogate?’.

Tomorrow’s article will look in more detail about why Harrogate was chosen.

But the decision to select a small, relatively unknown town prompted the BBC to begin its more than two-hour live broadcast, which can be viewed here, with a five-minute sequence enlightening viewers to the joys of places like the Stray and the Drum and Monkey.

The phrase ‘Where is Harrogate?’ was emblazoned across the screen in each of the languages of the countries taking part and was followed by a montage of scenes depicting Harrogate as some kind of middle England utopia full of beautiful people, elegant shops and idyllic countryside.

The sequence ended with smiling couples stepping out of limousines at the convention centre on the night of the big event to see if the British pop duo Bardo could win. They couldn’t, eventually fading to seventh behind Nicole, whose song A Little Peace became West Germany’s first ever success. Here are the memories from the woman who held the night together.

Jan Leeming: ‘I was thrilled, flattered — and very worried!’

Speaking to the Stray Ferret, Jan Leeming recalls:

“My agent rang up and said ‘the BBC would like you to present Eurovision’. I was thrilled, flattered and very worried because Katie Boyle had presented it previously and she was fluent in French. Back then the presenter had to speak in English and French. I am an actress and, apparently, I have a good French accent but I am not fluent.

I was told I’d got the job just as my husband and I were going on holiday to Hong Kong so I took the script in my suitcase and learned it while we were away because the camera at the event would be too far away to read the autocue.

Sitting on an accordion outside the convention centre. Pic courtesy of Jan Leeming

I think I arrived in Harrogate a day, maybe two, in advance. There was only one proper rehearsal so we didn’t have much time. When I wasn’t working I was mainly ensconced in a hotel — I can’t remember which one — but I did get a flavour of Harrogate because they took all the contestants around town to do some filming. My best and oldest friend lives in Leeds and I have been to Harrogate with her several times since. It’s a really beautiful town.

Eurovision was the kind of thing the BBC did very well in those days. It was a huge production, with Michael Hurll as overall director. There were 18 countries taking part and 30 countries watching. Every country took their feed from the BBC and had people working on booths at the convention centre. Terry Wogan was working in one of the booths but our paths didn’t cross.

Jan in the dress she didn’t choose to wear. Pic courtesy of Jan Leeming

All 18 countries’ songs were accompanied by the BBC Radio Orchestra. The orchestra was led by Ronnie Hazlehurst but each country brought out their own conductor for their performance.

It was the only time the BBC ever paid for my wardrobe. I had to pay for the clothes I wore when I was reading the news and when I was representing the BBC at evening events. One of my favourite designers was Gina Fratini and I thought it was a wonderful opportunity to wear one of her dresses but the BBC said it would have been too much like an advert for her and I could have a dress made in-house instead. It was a very nice dress but not one I would have chosen, so it was a bit of a sore point. I wouldn’t have minded if the BBC had always paid for my clothes!

Looking up at the scoreboard.

I was paid £1,000 to present Eurovision. My salary when I went from radio to TV was £10,500 and then it gradually increased over several years. In 1982 I was earning about £13,000. So to be paid about £1,000 to present Eurovision was fantastic. In those days men were paid far more than women and we had to put up with it. As one person told me when I remonstrated — “if you don’t like it, Miss Leeming, there’s the door”.

My nerves were awful when I walked out at the start of the show. I do remember writing in my diary that I would have given anything for a train ticket home. Most actors and presenters tell you nerves never leave you and frankly, they’re what enhance your performance.

It turned out to be a wonderful occasion. I don’t remember much about the show but I remember the party afterwards because the Spanish guitarist asked me to dance. He tossed me around the floor and then wrote on my invitation to the party ‘mi casa, su casa’ (my house is your house) — and I never saw him again! I kept that invitation until a few years ago.

The cake sent by Silvio’s. Pic courtesy of Jan Leeming

There was a business in Harrogate called Silvio’s and it sent me the most beautiful cake, which obviously was shared out amongst the crew. But I didn’t stay long afterwards. I had a husband and a son to get home to.

The UK didn’t host Eurovision again for years because we didn’t win it again until 1997 and the winners got to host it the following year. Then in 2003 we got ‘nul points’.

I wouldn’t have chosen the winning song. I was very surprised that it won. It was called A Little Peace and it was sung by a German girl called Nicole who went on to have a long career, in fact I think she’s still going. But there was more variety and individuality to the songs then. They all seem to be written to the same format now. Everybody copies everyone else. But perhaps I’m only saying that because I’m an old lady now!

Wearing her Eurovision dress shortly before it was auctioned. Pic courtesy of Jan Leeming

The BBC gave me the Eurovision dress and I kept it for years, waiting to find it an appropriate home. Eventually I gave it to Celebrity Cash in the Attic to be sold by auction in 2014 because I wanted to promote the male testicular cancer charity Orchid. It was auctioned in Chiswick and went for £250.

Prior to 1982 the UK had won Eurovision five times. Since 1982 we have only won it once. Terry Wogan sort of made fun of it and I don’t think the English take it seriously enough. Sweden apparently runs six weeks of heats. Terry called it the Euro Yawn or the Euro Bore but back then it was watched by over 300m people. I looked up what it gets these days and now with all the hype it only gets 100m.

Mind you there wasn’t that much telly around back then. Now you have 360 channels and nothing to watch. Everything was a bit different in the 1980s. It was before the cult of celebrity and social media. I don’t seem to recall it having all the razzmatazz of Eurovisions today.

Eurovision wasn’t quite the pinnacle of my career: the pinnacle was a documentary I made after five years of research into a free French pilot called Rene Mouchotte whose name is on the Battle of Britain memorial. You can watch it here. That was the biggest achievement of my career. But Eurovision was very near the pinnacle. It was an absolute honour and privilege to present it.

Jan Leeming’s new podcast Addicted to Love is now available on Spotify, iTunes etc. Further information is available here or on Twitter @Jan_Leeming.