An extravagant dame, a wicked villain, high jinks and many an excitable child: it must be pantomime season.

Harrogate Theatre’s 2023 show is the thigh-slapping, side-splitting Dick Whittington, and it’s another swashbuckler for the panto lovers out there.

Spirited, sparkling and silly, the tale of Dick Whittington’s adventure to London and beyond makes for the perfect panto plot with bountiful boisterous frolics. The fun-loving cast is infectiously energetic, indulging its audience in a couple of hours of folly and fancy.

The youngest audience members, many dressed up for the occasion, had a ball, singing, dancing and revelling in their participation – especially the many opportunities to shout, boo and hiss.

The grown-ups don’t miss out, with gags to tickle even the weariest parent, and the panto is Harrogate through and through, with mention of local politics aplenty. A rendition of The Twelve Days of Christmas doubles up as an advert for many of the town’s local specialties, from Weeton’s hampers to Taylors tea and Pizza Parada.

Set changes are as frequent as the dame’s outfit swaps, and the whole stage is awash with colour, glitter and merriment. A true variety performance, the show is jam-packed with audience interaction, runabouts, singalongs and slapstick humour, and sprinkled with cheeky twists on popular songs, covering everything from Elton John to Harry Styles.

The brilliantly rambunctious Michael Lambourne as the evil King Rat delivered two of my personal favourites: These Claws Are Made for Walking and a rip-roaring rendition of Rat Out of Hell.

As the countdown to Christmas begins, Harrogate Theatre’s custard-pie-covered, water-pistol-soaked, fairy-dusted panto is just the way to get into the spirit. Oh yes, it is!

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Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com

Whilst the somewhat indelicate title of this Irish tragicomedy may have you doing a double take, don’t think twice about buying a ticket – it’s a performance not to be missed.

Written in 1996 by celebrated playwright Martin McDonagh, who has since found big-screen success with films such as In Bruges and The Banshees of Inisherin, The Cripple of Inishmaan centres on orphan Billy Claven, a disabled youngster living on the remote island of Inishmaan, off the west coast of Ireland, in 1934.

Plagued by the incessant ridicule of his neighbours, he is referred to by all (despite his protestations) as Cripple Billy.

This even extends to his own foster ‘aunties’, who love him like a son, yet apply the same casual cruelty that is the very lifeblood of this play. Whilst pondering their sickly ward’s future, his aunt, Eileen, doubts he’ll ever be kissed, “…unless it was by a blind girl”.

When a Hollywood film director arrives on a neighbouring island (to film the real-life documentary, The Man of Aran), Billy finally sees his opportunity to escape his miserable existence.

An outrageously dark comedy, the play mixes hilarity, cruelty and kindness with great dexterity, its writing electric, with one uproarious quip after the other.

The Harrogate Dramatic Society cast, under Stuart Kellett’s direction, performing their opening night last night, knew exactly how to deliver every line – particularly impressive for what is a challenging play, jam-packed with dialogue.

This is a pleasingly rounded story with a satisfying arc, but it is also made or broken by the ability to draw its cast of characters, whose absurdity and colourfulness lie at its core; there is no disappointment here, with the HDS’ small yet mighty cast of nine. The Irish accents were out in full force, and the performers’ efforts to maintain these throughout were truly commendable.

Engaging and thoughtfully chosen, the cast proved consistently comic and dependably droll. The play’s sole non-comic player, outcast Billy, was handled by Adam Naylor with great earnestness and vulnerability.

A play like this was made for the simplicity of the studio at Harrogate Theatre. It is one without fuss; a neat piece which hops from scene to scene with real deftness. A clean, no-frills set with few distracting props, this production is really all about its players, who capture both the play’s sentimentality and its more outlandish threads, providing an evening as punchy as potent poteen.

The Cripple of Inishmaan is on tonight and tomorrow evening at Harrogate Theatre, and twice on Saturday. More information is available here.

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