Ripon’s St Cecilia Orchestra is promising a programme of epic proportions on Saturday evening, as it unites with the horn section of Opera North.
Entitled ‘Horns and Heroes’, the concert at Ripon Cathedral calls for a large orchestra, which will include no fewer than 12 French horn players.
Helen Dawson of St Cecilia Orchestra said:
“The concert will open with Tchaikovsky’s romantic classic Romeo and Juliet. Described by Classic FM as Tchaikovsky’s ‘first true masterpiece’ and one of his most enduringly popular works, this fantasy overture is full of drama and sweeping melodies, and its love theme has been used in countless films.
“Next, the orchestra will be joined by the four horn players of Opera North – Alex Hamilton, John Pratt, Sam Yates and David Tollerton – in Schumann’s inventive and compelling Konzertstück.
“Written in 1849 to showcase the horn section of the Leipzig Gewandhaus Orchestra, the Konzertstück is a virtuosic work, exploiting the full range and capability of the valve horns that were only just coming into fashion.”
After the interval, the concert will turn to Richard Strauss’s Ein Heldenleben, which he began working on in 1898 with the intention of writing a “heroic work” like Beethoven’s Eroica Symphony.
Called A Hero’s Life, the piece features eight French horn players, a large wind and brass section, multiple percussion players, two harps and a string section.
Ms Dawson added:
“Strauss’s writing for orchestra is always virtuosic and Ein Heldenleben does not disappoint here – the eighth of his tone poems, Heldenleben exceeds any of its predecessors in its orchestral demands and should make for an exciting and spectacular conclusion to the concert.”
Tickets, priced at £20 for adults and free for under 18s, are available via Ticketsource, from the Little Ripon Bookshop, and on the door.
Read more:
Ripon orchestra returns for first concert of the year
Ripon’s St Cecilia Orchestra returns to Holy Trinity Church this month with a programme featuring music for dance, drama and romance.
Following the success of their Rachmaninov festival weekend with pianist Peter Donohoe in October, the orchestra is looking forward to a change of pace with this varied programme of chamber orchestra gems.
The first concert of the year will be held at 7.30pm on Saturday, January 28.
Conductor Xenophon Kelsey said
“It’s pretty rare for us to do a concert without a soloist. This is a glorious opportunity for all the players to develop the sense that, in a smaller, chamber-sized orchestra, everyone is a soloist – at least some of the time!
“We all need to listen to each other, react to musical shapes and ideas and not simply ‘follow the conductor.’ That is what makes it such a delight to conduct concerts like this and to really feel you are part of the team, not just the boss at the front.”
The concert will open with Richard Strauss’ Serenade for 13 Wind Instruments, a single-movement piece completed when the composer was just 17 years old and the first work to gain him recognition as a composer outside his native environment.
The serenade makes strong use of the French horn, having in the ensemble line-up – perhaps evidence of his father’s musical influence (Franz Strauss was principal horn player of the Munich Court Orchestra).
Next on the programme, is Sibelius’ Pelléas and Mélisande suite, written in response to a commission by the Swedish Theatre in Helsinki as incidental music for Maurice Maeterlinck’s 1892 play of the same name.
The play inhabits a medieval world of dream and fantasy and tells of Pelléas’ love for Mélisande, who is unhappily married to his brother, Golaud. The story has inspired several more musical works, including an opera by Debussy.
After the interval the orchestra will play Bartók’s energetic Romanian Folk Dances in the chamber orchestra version. Originally written for piano, and based on tunes that would have been played on violin or a shepherd’s flute, the work consist of six short movements that should according to the composer take just four minutes and three seconds to perform.
The concert concludes with Mozart’s rarely-played symphony 25. In the key of G minor, the symphony is written in the sturm und drang style, characterised by emotional extremes and sudden changes in tempo and dynamics – a piece sure to leave the audience feeling energised!
Tickets for the concert, priced at £15 for adults and free for under 18s, can be obtained online at www.ticketsource.co.uk/st-cecilia, from the Little Ripon Bookshop and on the door, or can be reserved by calling 01423 531062.