Review: RAOS’s Sister Act is happy, hilarious and vibrantReview: RAOS’s Sister Act is happy, hilarious and vibrant

Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com. 

Ripon Amateur Operatic Society brought the house down at Harrogate Theatre last night with their take on the feel-good musical comedy, Sister Act.

Grace Knill assumes the role of sassy heroine Deloris van Cartier, a singer and wannabe star who is forced into hiding in a convent after witnessing a hit by her gangster boyfriend. Arriving to a frosty reception by the nuns’ stern Mother Superior (an excellent Rowenna Naylor), Deloris ultimately finds her purpose: to help the ladies learn how to sing.

Knill makes for a perfect Deloris; with joyful energy, she captures the humour and warmth of her character, belting out one showstopper after another with ease.

There are so many great personalities in this show, and the cast do them real justice, embracing their roles with gusto, providing a sense of warmth, familiarity and connection; audience members are drawn into the narrative easily.

Chris Wall as Deloris’ nasty ex, Curtis, and his trio of hilariously hapless gangsters, TJ (Luke Bailey), Joey (Will Thirlaway) and Pablo (Elliot Hutchinson), drew the biggest laughs, their choreography planned and executed to a T.

RAOS transport us to 1970s Philadelphia, with set, costume and sound combining to create an eruption of vibrant vivacity and fun on stage. John Atkin’s band sprinkle sparkle on the musical, with a good splash of soul and upbeat funk.

I had some difficulty hearing the occasional lyric early on, and many of the songs are appreciably tricky ones to sing, especially above a band, but any initial teething issues were swiftly ironed out. With banger after banger, you’re sure to come away feeling good.

A production filled with habits aplenty, gun-wielding gangsters, confession boxes and knockout showtunes, but mostly with colour, happiness and charm, the amateurs of Ripon know how to put on a show.

Sister Act is at Harrogate Theatre until Saturday, 20 April.

(Lead image: Helen Tabor Photography)

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5 alternative Easter activities in and around HarrogateReview: The Woman in Black haunts York’s Grand Opera HouseReview: The Cripple of Inishmaan brings dark comedy to Harrogate Theatre

Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com

Whilst the somewhat indelicate title of this Irish tragicomedy may have you doing a double take, don’t think twice about buying a ticket – it’s a performance not to be missed.

Written in 1996 by celebrated playwright Martin McDonagh, who has since found big-screen success with films such as In Bruges and The Banshees of Inisherin, The Cripple of Inishmaan centres on orphan Billy Claven, a disabled youngster living on the remote island of Inishmaan, off the west coast of Ireland, in 1934.

Plagued by the incessant ridicule of his neighbours, he is referred to by all (despite his protestations) as Cripple Billy.

This even extends to his own foster ‘aunties’, who love him like a son, yet apply the same casual cruelty that is the very lifeblood of this play. Whilst pondering their sickly ward’s future, his aunt, Eileen, doubts he’ll ever be kissed, “…unless it was by a blind girl”.

When a Hollywood film director arrives on a neighbouring island (to film the real-life documentary, The Man of Aran), Billy finally sees his opportunity to escape his miserable existence.

An outrageously dark comedy, the play mixes hilarity, cruelty and kindness with great dexterity, its writing electric, with one uproarious quip after the other.

The Harrogate Dramatic Society cast, under Stuart Kellett’s direction, performing their opening night last night, knew exactly how to deliver every line – particularly impressive for what is a challenging play, jam-packed with dialogue.

This is a pleasingly rounded story with a satisfying arc, but it is also made or broken by the ability to draw its cast of characters, whose absurdity and colourfulness lie at its core; there is no disappointment here, with the HDS’ small yet mighty cast of nine. The Irish accents were out in full force, and the performers’ efforts to maintain these throughout were truly commendable.

Engaging and thoughtfully chosen, the cast proved consistently comic and dependably droll. The play’s sole non-comic player, outcast Billy, was handled by Adam Naylor with great earnestness and vulnerability.

A play like this was made for the simplicity of the studio at Harrogate Theatre. It is one without fuss; a neat piece which hops from scene to scene with real deftness. A clean, no-frills set with few distracting props, this production is really all about its players, who capture both the play’s sentimentality and its more outlandish threads, providing an evening as punchy as potent poteen.

The Cripple of Inishmaan is on tonight and tomorrow evening at Harrogate Theatre, and twice on Saturday. More information is available here.

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Review: Chitty Chitty Bang Bang in Harrogate filled with charm and heart

Lauren Crisp is a book editor, writer and keen follower of arts and culture. Born and raised in Harrogate, Lauren recently moved back to North Yorkshire after a stint in London, where she regularly reviewed theatre – everything from big West End shows to small fringe productions. She is now eager to explore the culture on offer in and around her home town.  You can contact Lauren on laurencrispwriter@gmail.com

Chitty Chitty Bang Bang is a family classic that surely needs no introduction, and Tuesday’s performance by the Harrogate Operatic Players (HOPS) overflowed with all the joy, humour and whimsy you’d expect.

Opening night brought with it some inevitable nerves, but after a few initial hiccoughs, all handled toot sweet and with consummate professionalism (including by the youngest members of the cast), the show went on, proving itself a well-oiled machine.

Always set to be challenging – a flying car alone would have any director scratching their head – the HOPS team were undeterred, delivering suitable magic to their set and staging. Costume, too, was a highlight, the outfit changes seemingly infinite, from white petticoats to regal regalia to samba ruffles. Performing a host of lively choreographed numbers, the cast, chorus and band dazzled with energy.

The stage adaptation is not the 1968 film reincarnate: it has all the classics we know and love, and then some, with a few extra surprises and catchy new numbers to boot. The script does not shy away from the more wicked humour of the film. Indeed, refreshingly, it might just be even more risqué, particularly with the help of two hilarious duos: Rohan Green and Rob Hastings as the court spies, and Chris Cowling and Georgie Gladwyn as the tyrannical Baron and Baroness of Vulgaria.

As for the more sinister threads of the tale? Jack Moran’s Child Catcher is a spine-tingling caricature, sniffing out his innocent prey with zeal and revelling in his role. Stealing a glance at some of the young children around me, they appeared somewhere between captivated and terrified; indeed, I overheard one nervously ask his mother, ‘Can he smell me?’.

Kate Griffiths deserves special mention as Truly Scrumptious, capturing the essence of the sweet but fiery heroine. Lucas MacLeod and Eva Lofthouse played siblings Jeremy and Jemima, and I think it would be fair to say, are probably the hardest-working children in Harrogate this week.

A production filled with charm and heart, Chitty Chitty Bang Bang is so suited to the joys of local community theatre, with a huge cast and crew dedicated to putting on their very best show. This is what it’s all about: theatre that makes you smile, at whatever age; that has you humming as you leave, with a skip in your step.

Chitty Chitty Bang Bang is at the Harrogate Theatre from today (June 14) every day until Saturday, June 17. For more information and to book tickets, visit the theatre website here.

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Sell out performances mark reopening of Pateley Playhouse

The Pateley Playhouse has opened its doors to sell-out performances after three years of renovation work.

The amateur-run theatre has seen a £120,000 re-vamp, opening up its foyer and bar area and installing a disability lift in the auditorium.

The theatre re-opened this week with a Pateley Bridge Dramatic Society adaptation of ‘See How They Run’ by Philip King.

The play is a farce set during the Second World War and involves an escaped German prisoner of war, lots of vicars and lots of silliness.

The production has seen standing ovations with the 72-seat theatre full every night.

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The renovation was complex as the tiny venue is 160 years old.

Fundraising required creative ideas: the downstairs wooden floor was divided up into 110 square metres and the society asked people to pay £10 to sign their name on the floor — Hollywood style — under their square. The squares sold out.

Making a tiny, provincial theatre commercially viable isn’t easy but the society believes the renovations will help its long-term financial position.

Treasurer Keith Burton said:

“The rule of thumb is that for every £10 ticket you sell,  you should try to get a further £4 from sales on the night. The longer bar means we have a longer point of sale area and will do better business at the bar.  This week we do seem to be getting near to what we want from point of sale.

“Before covid our overheads were £8,000 a year. Since covid our insurance costs have gone up by 50% due to a fear of cancellations and all of our heating bills have gone up by half as well. We are now between £10,000 and £11,000 a year to run it. “

For the first time in years the society has had to put its tickets prices up. But it’s now confident that if it puts on three productions a year, it can make enough money to survive and have a small surplus to invest in the theatre. Improving the sound system and lighting is next on the agenda.

 

Pateley Bridge theatre to unveil £120,000 refurbishment

The Playhouse, in Pateley Bridge, is due to reopen this April after a 3-year refurbishment with a production of Phillip King’s ‘See How They Run’.

Fundraising for renovations began in 2020 with an initial aim to raise £75,000, but the eventual expenditure reached £120,000.

The theatre, which originated as a Methodist chapel over 160 years ago, required renovations to legally comply with building regulations and disability access.

Previously, it had no easy access for patrons or visitors with limited mobility.

To sort out these issues, the theatre launched multiple fundraising avenues, including the ‘Give the Playhouse A Lift’ campaign on Justgiving and a Local Lotto scheme.

1964: The building was originally a Methodist chapel

The money raised has funded a rebuild of the lower level of the auditorium – maximising the available space – as well as providing a lift for disabled audience members.

The expansion of the lower level will help people moving between the bar, foyer, and auditorium, and will ensure better ventilation.

The changes will also be in line with new covid regulations.

The new disabled lift (L) and renovated bar area (R)

Eileen Burgess, the most senior member of the Playhouse, said:

“We have long considered the need for improved disabled access and the enforced closure has given us the chance to tackle the issue.”

“It is a complex project, given the layout of our historic building, but we are determined to preserve the unique character of the Playhouse while achieving greater accessibility”.

The theatre still needs a further £20,000 to finish the work.

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The theatre’s renovation will be unveiled by Pateley Bridge Dramatic Society’s adaptation of ‘See How They Run’.

The play tells the comedic story of a paranoid spinster, who believes the wife of her beloved vicar is having an affair, and attempts to expose the infidelity.

The Society has promised attendees “a night of non-stop laughter”.

The performances will run from Monday 17 – Saturday 22 April at 7.30pm.

All tickets cost £10 and can be bought here.

Harrogate district theatre company saved by £24,000 grant

A Harrogate district theatre company has been saved by a £24,383 grant from Arts Council England.

Badapple Theatre Company, which is based in Green Hammerton, was awarded the funding ahead of its 25th anniversary.

The theatre, set up by Kate Bramley in 1998, aims to take productions to harder to reach areas of Yorkshire and across the country.

Ms Bramley said:

“It has been a hard few years for everyone in the arts and for Badapple too.

We were delighted to have survived the covid lockdowns in good shape, making sure we found new ways to keep our communities engaged and upbeat, particularly our youth theatre. 

“But two unsuccessful requests for funding support from the Arts Council across the autumn and winter of 2022 meant we were looking at having to close the company this year. All our reserves of finance and energy had gone, quite frankly.”

She added:

“So this support means a huge amount to us and the small communities that we serve right across the country — on this upcoming project from Somerset to Northumberland — in all the small places where we can spread a bit of theatre joy and bring folk together.”

The funding will also go towards Badapple’s Youth Theatre, which meets weekly in Green Hammerton during term time. 

The company is set to embark on a national tour of the 1960s comedy Eddie and the Gold in April as part of its 25th anniversary.

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Want an alternative Valentine’s? Some ideas in the Harrogate district

Find it all a little too overhyped and mushy? If you are looking for something different to the dozen red roses and dinner out this Valentine’s week, there are events happening in the Harrogate district that may be an option for you and your loved one.

Whether you’re into the supernatural, a night at the Opera or just an evening of laughter, here are four ideas for an interesting, if less romantic, night out.

My Bloody Valentine – Ouija Event

If you really are anti-Valentine’s and seeking something sinister this year, Paul Forster and Dead Northern’s séance may be an option.

The event will take place on the rooftop of the Yorkshire Hotel in Harrogate on Saturday 11 February, from 7pm – 10pm.

Organisers say guests can expect “a cross between an interactive séance and a psychological spook show”. There will be a Ouija board present at the event – some may even attempt to connect with spirits passed.

Tickets include entry to the event and a hot meal in the intermission.

Guests are invited to bring a personal item with them to add value to their experience.

Ticket prices start at £33.30.

For more information, click here.

Four Weddings and a Murder

Keeping in line with the darker side of love, an immersive murder mystery event, Four Weddings and a Murder, will take place at Old Swan Hotel, Harrogate.

The event will run from 7.30pm – 10.30pm on Friday 24 February.

Guests join a group of friends celebrating a wedding, during which a murder takes place. The audience are invited to help solve the murder before it’s too late.

The night includes a three-course meal. Guests can also upgrade their tickets to include an overnight stay in the hotel with breakfast the following morning.

Tickets for the event start from £51.

Find more information here.

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Royal Opera House Live: The Barber of Seville

On a slightly more romantic note, if culture is what you are looking for this Valentine’s, Everyman Cinema is hosting a live stream of the Royal Opera House’s adaptation of “The Barber of Seville”.

The Everyman Cinema is located in the centre of Harrogate.

The Italian comic opera tells the story of a young girl, Rosina. After falling in love with a mysterious suitor, Rosina must use her cunning wit and disguises to outsmart her calculated guardian.

The live stream will take place on Wednesday 15 February at 6.45pm.

Click here for more information.

Harrogate Theatre: Bouncers

Budding thespians might fancy a trip to the local theatre this Valentine’s. John Godber Company presents “Bouncers” at Harrogate Theatre.

The play will run from 13-15 February, with both evening and matinee performances.

The play follows four friends reliving a night in a Yorkshire disco in the 1980’s. Guests can expect all aspects of the night out on stage, including the DJ and even a fish & chip van.

Tickets for the play start at £18.

Find more information here.