As we approach the Queen’s platinum jubilee, many of us are starting to scroll through Pinterest and Instagram to get some inspiration on how to decorate our homes.

The monumental royal celebration is the perfect excuse to string up the bunting, blow up balloons and do a spot of baking to host unforgettable parties throughout the long weekend.

We asked Harrogate interior designer Joan Maclean, who has launched a new online course, for some styling tips to help make your jubilee party one to remember.

Use a teapot as a display

“Isn’t tea the most quintessentially British thing? So dig out that old teapot, but use it instead of a vase and fill it with flowers. Here it is sitting on a bread board which is made of oak – the most English of trees.”

Think red, white and blue

 “You don’t just have to wave a flag – add a few red, white or blue touches. Here the Union Jacks just add a nod to the celebrations.”

Use a tray as a frame

“A tray is always a great way to contain your pieces – it acts like a frame. Here, alongside some bubbly and champagne flutes, I’m using the coronation glasses and mug for my red, white and blue flowers.”

Start at your front door

“I’ve planted up some perfect red flowers and with the addition of some tall silver branches and a couple of flags in my tall concrete planters,  here’s a stylish way to embrace the jubilee spirit at your door.”

Keep it simple – but striking

“If you just want to make a nod to the festivities, then raid your garden for some seasonal leaves or branches. With the addition of some red and white roses, here’s a striking, but simple, display in my hallway.”

Use a cake stand to display treasures

“A cloche or a glass cake stand, with its dome, is the perfect way to display a few treasures. Here are three pieces of coronation memorabilia.”

Raid your attic

“My family has treasures in the attic that don’t often see the light of day. These lead figures, with the incredible gold carriage, are part of a complete set from the coronation that are still in perfect condition.

“This window sill is the perfect spot – in fact window sills are the perfect place to display all kinds of treasures.”

Display memorabilia

“Here’s an old biscuit tin, which has found new life on my mantlepiece.”

“We used to get commemoration mugs and coins from school and here are some little things my mum had squirrelled away at the back of a cupboard.

“Dig out your family’s treasures and put them out – they stir fascinating memories and are a reminder of quite how long it is since 1952.”

Set the table for a traditional British afternoon tea

“A perfect British occasion calls for a fabulous afternoon tea – champagne, anyone?”

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When I visited interior designer Joan Maclean’s Harrogate house for a course just before Christmas, it was love at first sight.

It was one of those properties that just made you feel instantly at home.

So when I spotted it on Rightmove, in my mind I had already packed up the removal van and moved in.

But, alas, we’re not in a position to move just yet, so I reined myself in and asked Joan to tell me more about her amazing home instead.

The study with glazed doors on to a roof terrace where there is a wire sculpture.

Sensational semi

Joan confirmed that she has indeed decided to sell the sensational 1919 semi on Wetherby Road, which she has extended and completely transformed.

She said:

“I’m thrilled to have two exciting new projects in France which have lured me away, but I know the new occupants of No 61 will enjoy the house and garden.”

The huge kitchen area.

Secret garden

Joan bought the property in September 2016 after initially only agreeing to view it out of politeness.

She said:

“It was a friend-of-a-friend selling it – I didn’t want to live on the Wetherby Road.

“What I didn’t know was that it hides a secret garden which extends the width of Harrogate Town Football Club’s pitch next door.”

While the garden was impressive, Joan said the house itself was crying out for a major renovation.

Now, thanks to a contemporary rear and side extension, an attic conversion and reorganisation of the original layout, the property has a huge open-plan living kitchen, a drawing room and a cloakroom on the ground floor.

The open plan sitting area and dining room.

New-build

On the first floor, there are three double bedrooms, an en-suite and a house bathroom, and on the top floor, there is a large master suite with shower room and dressing room.

The property is now on the market with Verity Frearson for £700,000.

She said:

“The size of the plot meant we could look at a great extension. Rather than extending across the drive at the side of the property, David Scott, the architect, promoted the idea of developing the amazing new-build at the rear that now exists.”

Joan in her amazing home.

Inspiration

Joan worked in showbusiness and TV before moving to Los Angeles for five years, where she studied interior design at the University of California.

When it came to the design of the extension, she took inspiration from the work of American architect Frank Lloyd Wright, who she greatly admires.

She said:

“His influence is here at No. 61 – from the overhanging ‘pod’ bedroom suite at the back of the house, to the asymmetric windows.

“Probably one of his most iconic buildings is Falling Water with the overhang, although he also designed the Guggenheim Museum in New York, which is all about the curve.”

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Only two rooms remain as they were from the original floorplan, and with the loft conversion raising the gable end, the space now extends to 2,500sq ft.

Joan said:

“The key thing for me was to ensure that the living is predominantly at the rear of the property so, along with the new windows, there is not even a hint that the house is sited on a main road. I don’t think anyone ever quite believes me until they come into the space and there is silence.”

When it comes to the interior designer’s favourite room, she loves the master suite with its “views reaching far across towards Sutton Bank on a clear day”.

The master suite.

Storage

She said:

“I also love the super luxe en-suite, although my heart is held by the dressing room. What else do you do with space in the eaves? And every girl needs a place to hide those shoes and handbags.”

In fact the house boasts plenty of storage, with a downstairs cloakroom that features a wall of cupboards.

She said:

“I run interior design and styling courses and they are a treasure trove of my props –  especially as I rearrange my displays all the time.”

A stylish corner of the house on Wetherby Road.

She also loves the main living space, as it is where she spends most of her time.

She said:

“We moved a lot as I was growing up with my father’s job. My mother always assessed a house based upon the party-hosting capabilities of the space – I’m a girl after her own heart and this house is made for parties!”

The living area.

Colour

Reflecting on how the home has evolved over the years, Joanie said one of the elements she has been “thrilled with” is the colours that run through the house.

She said:

“They’re entirely consistent through the space, with ‘Little Owl’ as the predominant colour being a soft, warm grey, and ‘Tempest’ – a moody, deep blue green – as the contrast downstairs. These are both from Fired Earth.

“With a small hit of Farrow and Ball’s Peignoir in the master suite, there’s a real flow through the house and they’re really soothing, warm neutral tones that really work in this light-filled space.”

And while the house is stunning, the ‘secret garden’, is undoubtedly the pièce de résistance.

‘Striking’ plants

Joan said:

“There’s a large terrace directly outside the house and then steps take you down into the long garden. The design is all based around curves as a counter to the rectangular nature of the house.

“I love architectural plants so phormium, red hot pokers, fatsia and sedum fill the beds – they are green and striking all year.

“There’s also a magical element to the garden at night. Apart from the lights, I have a projector and we have movie nights projecting onto the rear wall of the old cottage, whose back wall is one of the boundaries of the garden – the best way to turn a virtue out of a reality.”

The stunning ‘secret’ garden, that stretches around the property.

This article is sponsored by Lapicida

From working on each other’s kitchen tables, to launching a stylish new Harrogate design studio, Rachael Webber and Justine Kirkham have come a long way in just three years.

Their business, Stylesmith Interiors, has gone from strength-to-strength, with a surge in demand caused by the pandemic seeing them move to bigger premises on Cold Bath Road.

Modern space

The building, which formerly housed Fit Harrogate and the Joy organic food store, has been transformed into a modern space, which will allow the interior designers to meet clients and network with architects and builders, along with others involved in their projects.

As a retail space, it has been tricky to run a profitable business due to the lack of footfall. Joy closed its doors in August, less than a year after opening its doors.

There’s hope the design studio will be a much better fit, as there isn’t the reliance on passing trade.

The new design studio shows off the duo’s style

Justine said:

“In the middle of lockdown we were accumulating more and more things, as obviously construction carried on. So whereas we thought everything was going to slow down, as it turned out, we were busier than ever. It was great, but also it meant that it was absolute chaos with all the boxes of samples etc.”

The duo soon realised they needed more room, so found a unit at Hornbeam Park.

When they were told the building was going to be demolished and redeveloped after 18 months at the site, it was the push they needed to move to bigger premises.

• Harrogate interiors masterclass has boosted my confidence with design
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After looking at lots of similar office buildings that were tucked away, they realised when everything reopened after lockdown, their clients wanted to visit them in person.

Rachael said:

“This building just happened to come up and we thought it was a bonus that we are visible, but we are not retail so we don’t need the footfall like a retail shop. We are very happy and we love it. “

Experience

Both Justine and Rachael have previously worked for large interior design companies and have 30 years of experience between them. Rachael also has a background in fashion.

The kitchen area downstairs

Justine said:

“What we have realised is you get very much dragged into this corporate set-up where it’s all about sales figures and data and systems and it takes away all the creativity in what you are doing. So when we started talking originally, that was the bit that bugged us.

“We thought it needs to be more client-focused, where it’s all about their experience. So we decided to set-up ourselves.”

“The space shows what we can do. We have kept it very clean and haven’t gone glitzy. It’s much more how most people actually choose for their houses to be. A bit more colour, to push people outside their comfort zones slightly, but without being blingy.”

The kitchen area in the new studio

Understated

“We are not trying to be this super duper London-style – very uber cool. Because that doesn’t work up here. But equally we don’t want to be at the blingy, over-the-top end..

“Some people want this very Scandinavian style. We have got loads of people wanting the slightly industrial style. We are doing a barn conversion at the moment where it is very grand, so we are putting a bit of oomph into that. It all depends on the client.”

Compliment

“For example if you wanted to put in a new kitchen or bathroom, or you are looking at flooring or you wanted to knock a wall down, then we are your gals.

“Everybody is doing extensions and creating open-plan living spaces. When you extend and you suddenly have all these masses of space, that’s when you need someone to help you make that work. This is because more often than not, you end up with a very echoey, cold space.

A studio downstairs houses samples, including material, paint and tiles

Stylish

“The whole point for us is we want to be this much more approachable interior design set-up. So it’s not about feeling worried about walking through the door.

“If people come in we will give them a warm welcome and chat about their project and potentials and what they are thinking of doing. That is key really, it feels really intimidating, but it doesn’t have to be. It doesn’t have to be really expensive.

This article is sponsored by Lapicida

As a nation, we have always taken great pride in our homes.

And in the age of Pinterest and Instagram, online shopping and interiors influencers, it has become easier than ever to have a go at being an interior designer.

You only have to look at the continuing success of glossy magazines like Ideal Home, as well as popular TV shows like Changing Rooms and Grand Designs, to recognise we have a huge fascination with transforming our homes.

And in 2021 – after 18 months of being very much at home – we are more obsessed than ever.

Guilty pleasure

Interior design is well and truly having a moment and I am here for it. My guilty pleasure on an evening when the kids have gone to bed is trawling through Instagram and screenshotting all the gorgeous images of people’s homes. I’m also a Rightmove addict and I read every interiors magazine I can get my hands on.

A rear view of Joanie’s renovated home on Wetherby Road.

So when Harrogate interior designer Joanie Mac invited me to join one of her masterclass dayschools at her own incredible home in Harrogate, it was a no-brainer.

While I have tried to absorb every tip and piece of knowledge passed on by designers, I will admit I’m still pretty clueless. I know when something works in my home, but I don’t necessarily know why.

So when I rocked up to Joanie’s house on Wetherby Road on Sunday morning at 9.30am, I couldn’t wait to get stuck in.

Fabulous

Joanie’s home is everything you expect from an interior designer. Completely fabulous. Obviously I couldn’t stop myself having a nosy at all her quirky furniture, artwork, accessories and bold colour schemes. I was like a kid in a sweet shop.

Joanie’s fabulous open-plan sitting area and dining room.

I was joined by four other students from a variety of backgrounds. There was a mum who attended with her art student daughter, an upholsterer and a primary school teacher, who was planning on changing her career.

After a welcome cup of coffee, we all took a seat at Joanie’s white marble kitchen island and began our first lesson of the day on colour theory.

“Colour is such a powerful thing,” explained Joanie, as she showed us various colour schemes and images and explained why they worked or didn’t.

“Colour changes everything.”

Four seasons

Joanie explained how colours can be broken down into the four seasons. Spring features bright vibrant colours, summer is more muted, soft and “flowery”, autumn is dark and cocooning, while winter, again with its darker tones, has a more “masculine edge”.

Apparently these colours play to our personalities and most of us usually fall into two seasons.

Joanie said:

“The big thing about colour is it can pull everything together – the things you wouldn’t think match. But you have to use it to create cohesiveness not choppiness.”

After another cup of coffee – it was a Sunday after all – Joanie took us on a tour of her house, which she has renovated and decorated to showcase her ideas and methods.

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With her walls painted predominantly in Little Owl, a soft warm grey by Fired Earth, Joanie explained that she had used furniture, accessories and lighting to inject colour and bring her home to life. Her rule is to stick to three colours and use variants of these in each room.

Exhibition

Joanie’s home is like one big beautiful exhibition and it certainly gave me some inspiration – from her mixture of vintage and modern design to the way she had hung a stunning floral dress on the wall as a piece of art.

A pretty floral dress can be used as a piece of wall art.

Importantly she had made everything flow by using the “red thread” concept. The idea is that you use this when decorating your own home to link the spaces and bind them together as a whole house, rather than just a series of rooms linked by passages.

For example you could use a splash of blue in all of your rooms. The idea is you must never decorate a room in isolation but consider the property as a whole.

Patterns and textures

After we had explored her house, including her amazing garden, Joanie spoke about patterns and textures.

She said:

“It’s about the friction between the textures. You don’t want to overload the room, but you want to create friction.”

Joanie takes us on a tour of her amazing home.

She suggested sticking to three textures in the room, using accessories like rugs, cushions, wallpaper and vases, and to also make sure you add plenty of green with plants.

It was then time to get stuck into some practical work. We were asked to cut up pictures from interior magazines of images we were drawn to, as well as fabrics and wallpapers, and stick them down to create a mood board.

Art project

This was actually lots of fun, as I’m so used to doing this sort of thing digitally on Pinterest. It felt so much more satisfying to actually create a board with something tangible. It was like doing a school art project and I found it really therapeutic.

Part of my moodboard.

We were then told to write down the first five words that came into our heads to describe ourselves. And it turns out our moodboards, and the colours and textures we used to create them, actually said a lot about us as people.

Brave

Initially I was quite reserved and almost needed permission from Joanie to go nuts with colour and texture. It turns out this summed up the anxious side of my personality perfectly. Once I relaxed into it, I started adding floral patterns, velvet, metallics and bright pink, and somehow it actually worked. I already felt braver when it came to putting this into practice at home.

After lunch on a naturally beautifully-laid table, featuring wooden serving platters, vintage cutlery and decorated with sprigs of rosemary, we looked at seven iconic design styles and learned about the style elements for each one. These were:

• Scandinavian
• Eclectic
• Industrial
• Vintage
• Minimalist
• Mid-century modern
• Modern coastal
• Contemporary

Lunch is served on a beautifully-laid table.

We also learned briefly about lighting and how this can transform your space, before moving on to creating vignettes.

A vignette, in terms of interior design, is a tiny, curated style statement, made up of a group of objects that are displayed on a shelf, a table, or elsewhere in the home.

Vignette

We had been asked to bring five objects from our own houses. Mine included an old framed photo of my great grandmother, an antique cigarette box and a vintage coffee tin.

Joanie then made a vignette using each of these items, as well as some of her own accessories, and her creations were really impressive.

We learned to look at them through a picture frame as an individual piece of art and to also contain some of the items, for example on a tray or under a glass cloche, which was extremely effective. Again it was interesting what we all chose to bring, interior design really is about you and projecting your personality.

One of the vignettes created by Joanie using items from my home.

I finished the day feeling really relaxed, but also motivated and excited about putting all the new skills I had learned into practice in my own home.

I am definitely going to be more adventurous with both colour and texture. If think something is going to work in a space, whether that be a really dark paint, a crazy patterned rug, or a random fabric, I’m going to be more confident to give it a go.

After all, my home is a reflection of me and I now feel brave enough to embrace it.

My favourite styling tips from the day:

• Every chair should have a table – you need somewhere to put your cuppa!
• Use lots of lamps in a room – even in a kitchen – as they provide ambience and pools of light
• In a small room, there should be three focal points to distract you from the size
• We hang everything too high – including pictures
• Pull furniture away from the wall to make a room seem bigger – by moving your sofa six inches away from the wall, this will make a big difference.

Learning about colour with Joanie.

• Joanie’s Interior Design Masterclass takes place on various days from 9.30am until 3.30pm and costs £175. Refreshments, lunch and materials are included. There is also an optional day two, where you can learn to become your own project manager for £325 for both days. For more information on the dayschool click here.
• To learn more about the various courses, including upcoming special Christmas workshops, Joanie offers, visit www.joaniemac.com

The pandemic has had a major impact on interior design trends, with a notable shift in how people are now choosing to live in their homes.

In a relatively short period, the home has become a place to work, exercise, relax and even attend school – and this continues to be one of the single biggest influences on design.

So, what does this mean for the future of interior design? Here’s how the design of our homes are changing and evolving as a reaction to the health crisis and the need for more adaptable, flexible spaces, according to interior designers from the Harrogate district.

No expense spared

Design ideas at Furnish & Fettle.

As a result of multiple lockdowns, people have been spending more time in their homes than ever before and there has also been a major surge in moving to bigger properties. This has led to more investment in design and interior designers are in greater demand than ever – no longer just an asset of the rich and famous.

Elisa Fanella, of Elisa Interiors, on Tower Street, Harrogate, said:

“It has been the busiest 18 months out of my 11 years as a self-employed interior designer. It has been an interesting shift, as at the start of the pandemic it was all very worrying, wondering if my business going to survive, but because people are spending so much more time at home, houses have become the main investment in their life.”

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Eleanor Goddard, director of Furnish and Fettle, which has showrooms in Harrogate, Wetherby and Pocklington, said:

“We are definitely seeing a huge increase in the number of people wanting the help of an interior designer.

“Everybody is doing their homes up. People have been stuck at home a lot more and have realised the value of making their houses beautiful and having a space which is fluid. People are using their houses in a different way, such as for homeschooling and working from home.

“The other thing is because people haven’t been going away on holiday and spending as much, some have managed to save and they see the value of spending on their home. Other people have moved because their house is no longer serving their needs and when they move into a house they want to put their own stamp on it.

“There’s a general move towards people seeing interior design as important.

“A lot of professional people would have a cleaner and someone who mows their lawn, interior designers have perhaps moved into that realm. It’s fair to say it used to be more of a service for the wealthy, but now people are saying ‘you know what? I just want my home to feel like a home for me’.”

A focus on wellbeing

After spending months at home, many have decided they love their houses and want to stay but need more space and have chosen to extend.

However many, particularly those who have lived in apartments, have decided to move to bigger properties with an outside space or to a more rural location surrounded by countryside. An emphasis on wellbeing in the home has had a major influence on these decisions.

Elisa said:

“The house has become a place for wellbeing. In that respect a lot of money has been invested in houses and refurbishment because of that.

“People want to be in an environment where they spend their lives and are happy and have all the possible commodities.

“They want something that makes them happy looking at it. From walls to ceilings, windows, everything has to convey the sense of wellbeing and make us smile at the same time.

“In particular people have been using light, not just as a functional element, but to create that calmness and give you that sense of peace.”

Natural and electric light flood this bathroom designed by Elisa Interiors.

Zoning

Zoning – which means separating areas according to their function – has gained momentum in the wake of the pandemic, with a need for different areas for work, entertaining, family time and wellness.

A clever way to create sub-spaces, which cater for these different needs, is to zone.

Eleanor said:

“People are wanting to look at how to use a space. They are looking to zone areas, so they can have an area to do work or an area to do yoga or relaxation. They want a space for them.

“In zoning areas, because people aren’t going out as much, they are eating at home or entertaining at home, there’s a pull towards creating luxurious dining rooms.”

Cinema rooms and home bars

A cinema room designed by Elisa Interiors.

A home cinema provides a luxurious addition to any large home with space to spare, and provides opportunities for entertaining at home – or just enjoying movies with family.

There has also been a rise of the home bar, with more and more people choosing to host cocktail evenings at home.

Elisa said:

“Cinema rooms are a big trend as they are spaces where you can be with your family. I find people call it a family room and in the middle you have a big TV, an audio system and a place where you can play your X-Box or PlayStation and the kids can also be in there with their friends.

“It’s all about having everything you want in your own home.”

Eleanor said:

“More people are creating home bar areas and the bigger properties will have a home cinema room. Home bar areas were actually coming into fashion before the pandemic with gin and cocktail trolleys, but people are now having bars built in their homes and there’s a move back towards that.”

A home bar designed by Elisa Interiors.

Luxurious kitchens and bathrooms

With people having more time on their hands during lockdown, and with restaurants being closed, many turned to cooking as a form of indulgence and entertainment. People also focused on their bathrooms, which became many peoples’ sanctuary and place to escape.

Elisa said:

“Many people were cooking in the first lockdown and were making things like their own bread and own pasta and that has made people realise the limits of their kitchen, so this has been a particular area people have wanted to improve.

“People want the coffee machine, the larder, the spice racks in drawers and space to cook, they want the top notch oven and accessories.

“Bathrooms have also become a room in the house where you can indulge yourself. All sorts of extras have gone in and people have introduced baths as well as a shower.”

A luxurious kitchen designed by Elisa Interiors.

Home offices

With many now fully accustomed to a new, more flexible way of working, home offices have become hot property. Closing the door at the end of a working day has helped many workers to enforce that work-life balance.

Elisa said:

“A lot of spaces have been redesigned. We are just doing one at the moment, where we are converting a dressing room into a home office. Even the smallest corners of a house can take a home office. That has been key, trying to find where you can put a desk, a monitor, storage and a printer. The home office has been crucial for some people.”

Natural and raw materials

The growing focus in design on products made from wood, wool, stone and ceramics add a human dimension to the home environment that may have beneficial effects on health and happiness.

Elisa said:

“I think we felt somehow Mother Nature was trying to tell us something. There has been this trend of trying to show in some way what is organic and what is belonging to the outside. Suddenly everybody wants to bring it inside. So we have seen people using a lot of natural materials like marble, wood and limestone.

“Although I’m very much the queen of colour, I have noticed how much this year I have worked with neutrals and textures and I have tried to create an ambience and convey the sense of coziness which has a welcoming, relaxing and peaceful kind of atmosphere when you walk in.”