They shared news of some of the theatre companies, performers and entertainers they hope to welcome to the city over an extended festival weekend.
Arts and community groups from across the city, are coming together to play a role in the new Ripon Theatre Festival
Taking place from June 23 to 26, the festival aims to brighten the open spaces and venues in the city with professional and community performances.
Plans include puppetry, dance, drama, street theatre, storytelling, children’s activities and family shows.
Festival director Ian Holloway and representatives from the organisations that make up the festival team, introduced themselves to an audience of 40 potential participants, volunteers and supporters at a meeting held in Ripon Arts Hub last week.

Festival team members, from the left: Ian Holloway, Tina Salden, Simon Hewitt, Katie Scott and Julia Whitham
The event is being made possible with funding from a growing number of businesses and organisations, including main sponsor Wolseley, which has been a leading employer in the Ripon area for more than half a century.

Family shows are planned for Ripon’s Spa Gardens
In attendance were representatives of some of the festival’s venues and partners. These included Ripon Arts Hub, Ripon Library, Ripon Workhouse Museum and Ripon Together along with the new Ripon Business Improvement District, represented by BID board director, John Alder.
In addition to the family-focused entertainment at Spa Gardens, plans include open-air Shakespeare at Fountains Abbey, hard-hitting drama at Ripon Bowling Club, living history at the Workhouse Museum along with a community revue at Ripon Arts Hub, storytelling and children’s theatre at Ripon Library and street theatre & entertainers in Ripon City Centre
Volunteers sought
Volunteer Co-ordinator, Tina Salden, said:
“There are many roles for volunteers to help out as stewards and marshals or to serve refreshments, look after visiting artists or direct visitors and audiences.
Help is also needed ahead of the Festival with publicity around the region to ensure that the events are enjoyed by as many people as possible.” Anyone who missed the meeting, but who wants to get involved can contact info@ripontheatrefestival.org.
Read more:
Harrogate’s Got Talent: Have you got what it takes to liven up the town?
Can you hang a tune, juggle a bit maybe or do a few nifty dance moves? If so, your town needs you.
Harrogate Business Improvement District, which is made up town centre businesses, is looking for new street entertainers to liven the town up and make shopping a more upbeat experience.
Matthew Chapman the Harrogate BID manager said:
“We are looking for entertainers from all genres whether it be singers, magicians, actors or dancers – anything that will add to the shopping and hospitality experience – the quirkier the better.”
Harrogate already has regular buskers who knock out Adele or Sinatra classics outside M&S on Cambridge Street in the hope of making money.
Mr Chapman says there’s no move to stop them. The aim is to provide a more consistent offer in the town and place entertainers in different areas, possibly at the rear of Primark on Oxford Street or at the end of Cambridge Street outside HSBC.
The BID has a small budget to support the new performers.
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If you think you’ve got what it takes and want to get involved, get in touch with the BID. Mr Chapman said:
“If people have got videos or YouTube accounts then we can see them perform – or you can email us and come in for an audition. We want to create a vibrant town centre so that people can enjoy the experience as well as the retail and hospitality offerings.”
The BID is keen to trial new performers during the Xmas period and roll it out across next year.
To contact the BID email info@Harrogatebid.co.uk
Do you know that Harrogate has a long history of street entertaining and that in Victorian times it could all get a bit raucous? Read Harrogate Historian, Malcolm Neesam’s article on the very lively scene that existed in previous centuries.
Malcolm Neesam History: Harrogate’s once lively street theatre scene
This history is written for The Stray Ferret by celebrated Harrogate historian, Malcolm Neesam.
Do you remember the Cone Heads? The street entertainers who a few years ago appeared in the town at the invitation of Harrogate International Festivals? Their sudden appearance was part of a centuries-old tradition of such entertainment, which has included musicians, street theatre, Punch and Judy shows and the travelling waits.
Punch and Judy
To the best of my knowledge, the first known appearance of Punch and Judy in Harrogate was in June 1865, when Professor Bailey was said to have replaced an earlier but unknown Punch and Judy showman. Professor Bailey’s “pitch” appears to have been somewhere at the foot of Montpellier Hill, on the Stray outside the White Hart, and he worked with a young man named Candler, who succeeded Bailey, who was eventually decorated by King Edward VII.
Professor Candler [1869-1922] became one of Victorian Harrogate’s most well-known entertainers, and celebrated as a leading practitioner of his art, so much so that he was chosen to make the Punch and Judy show that accompanied the Prince of Wales’ tour of India. He was also called up to London to perform before George V when the king attended a private party given by Lady Stoner at her South Audsley Street mansion.

Edmund Candler’s Punch and Judy, Swan Hotel, 1910
Professor Candler may also have performed at Pier Head, which was a favourite pitch used by Otto Schwarz and his German Band. I suspect – and if any reader can contradict me, please do so – that Professor Candler was succeeded by Professor Valvo, who had begun his career in Bradford. Professor Valvo was often called to perform before royalty, and had command performances at the London Palladium, and in 1919 he gave a special performance at Crystal Palace for the royal children.
Like Professor Candler, Professor Valvo made his base in Harrogate and appeared several times in the Opera House [today, the Theatre] as part of variety shows. On one occasion, he gave a Punch and Judy show in the Winter Gardens before 600 children, including the sons of the Princess Royal and Lord Lascelles. In 1936, Professor Valvo was described by the Harrogate Herald as “an ex-serviceman, he has been a Punch and Judy man for twelve years, and for forty years previously was a theatre ventriloquist…”
I do not know whether Professor Valvo had any children who kept his act alive, but Professor Candler had two sons. Described by the press on July 13 1957 as “a wonderful showman, yet of a kindly, quiet nature, and his skill with the Punch voice, and the Pandean pipes was that of an expert”. He gained the affection of generations of children and the esteem of adults, including Princess Victoria, who, when in Harrogate, would sometimes stop to listen to the old, old story…

A Noisy Street Scene
The Punch and Judy men were only a small part of the many entertainers who swarmed through Harrogate during those long ago seasons. There were the black-faced minstrels, which were popular at the time, the earliest of which seem to have been Walter Mapping’s, who put on song and dance routines in Valley Gardens. The “Major’s Group” also provided a lively street entertainment show, the “Major” getting his name from his theme song “My friend the Major”. The chair stage prop used by the Major was said to be required because of the Major’s fondness for “the flowing bowl”.
I must not forget to mention the “Black Star Minstrels” who contained several performers who “blacked-up” in such hostelries as the Ship Inn, the Victoria Inn, or the “Borough Vaults” – now the Drum and Monkey. One of them, Joe Morrison, specialised in laughing songs, which could reduce a crowd to hysteria, and who was consequently disliked by more sober shop-keepers. There was Albert Freer, who specialised in sentimental songs about happy slaves on the “old plantations”, and a rival group called the “Mysterious Musicians”, who set up their portable stage near the Royal Pump Room, sometimes in direct competition with other performers. The resulting racket caused great annoyance to the hotels and lodging housekeepers.
Many acts were of course solos, such as The African who performed at Pier Head before the lavatories were built. The African’s ingenious act was to swallow a red hot poker. According to the Herald: “to show that there was no deception a poker was heated in front of the wondering throng, who were even more surprised at the way he used to relish a concoction that he cooked in his own fashion, and transferred to his capacious mouth with a fork whilst it was blazing.”
Contemporary criticism of many of these acts judged that some of the best shows on the Stray before the Great War were those of Adler and Sutton. Max Adler and his companions performed on the Victoria Avenue bandstand, opposite Baptist Church, during mild summer’s evenings. Their comedian was Olly Oakley, who did imitations, and whose saucy songs sometimes upset the local magistrates. Other “Stray” performers included the “Jubilee Singers”, who in the language of the time were described as “a group of real negroes”. There was also Mr. I. C. Rich, who specialised in Jewish “deliniations”, who shared the bill with another comedian, whose name escapes me, and whose catch-phrase was “My hair’s down again”.
One of Harrogate’s rarer evening acts, who may have performed in Crescent Gardens, were the “Brothers Egerton”, who specialised in songs about drunks and drinking, which were known by the name of “Corney Grain” songs. Eventually, they left Harrogate for St Kilda’s Beach, Melbourne.

The Ongars
I do not have space to describe the many operators of the street piano, who played their raucous jangling instruments outside Hale’s Bar, and – to the intense annoyance of Alderman Fortune – along the rows of decorous hotels and lodging houses on Prospect Place and West Park, grinding out such tunes as “I’ve got a lovely bunch of coconuts”; “He had to get out and get under”, “The man who broke the bank at Monte Carlo” and “My old Dutch”.
Town ‘mascots’
I must not leave the subject of the Stray entertainers without mentioning the “Mascots”, who first appeared in 1902, who drew enormous crowds for their acts, which were often held on the Stray near the junction of Beech Grove and Victoria Avenue. Their numbers included Karr and Kooney, who later became famous pantominists, and Tom Johnstone, a singer of chorus songs who later returned to Harrogate to play in the Empire Theatre.
The last known Stray Troupe before the Great War was the “Sparks”, whose boss, Will Driscoll, rode around Harrogate in a high-wheeled dog cart before the show. The Library Gardens, then known as the Town Hall site, was a further venue for street entertainment, where groups of “dancing minstrels” entertained the public. Harlow Hill, too, had its regular street acts, but I will try the editor’s patience if I go on any more.
Much of Harrogate’s street entertainment vanished during the Great War, although Tom Coleman and his Pierrots (featured main image) did sterling service entertaining wounded soldiers in the four military hospitals set up by that wonderful lady the Grand Duchess George of Russia.
My thanks to Geoff Felix and Janet Nijholt [nee Candler] for information about, and photographs of, Professor Candler.
Did you know?
The Stray Ferret and the Harrogate Business Improvement District (BID) have worked with Malcolm Neesam to produce two fantastic history audio tours of Harrogate. Both last about an hour and are easy to do. The first will take you back to the golden age of Harrogate’s Victorian Spa days, the second will take you through the heart of the shopping district, stopping to learn about historic buildings as you go. To take a look click here.