It was during an open day at a lido in Cumbria that composer and playwright Emily Roberts found the inspiration for her latest musical. 

The premise of All Those On Board suddenly popped into her head while she was chatting to campaigners of a multi-million pound project to bring the lido at Grange-over-Sands, which closed in 1993, back into use. 

The musical, which will run on selected dates in May and June, tells the story of a group of people trying to save and re-open a derelict lido. Emily, a fan of open water swimming, said: 

“I do love lidos. I went to Ilkley Lido a lot as a child and it gets a mention in my script, based on my memories of Wagon Wheels, crisps and queuing up on the tarmac.

“My musicals usually have a love story at heart, but this is different, it’s more of an ensemble piece. Although I suppose it is a kind of love story – it’s about the love of a lido and doing something for the love of community.” 

Inspiration

A classically trained pianist who teaches music at schools in Harrogate and Boroughbridge, Emily writes musicals in her spare time and always has a few ideas and titles floating around her mind, waiting to be developed. 

Currently, there’s one called When The Bell Goes based on her years of classroom teaching. There’s Just Twelve Days about a group of people trying to get Christmas back to being a 12-day festival rather than starting in September (Emily puts her tree up on Christmas Eve). Then there’s a vague notion about a ‘bad taste bookies’ which doesn’t yet have a title. 

At some point, Emily will get a flash of inspiration that gives her the hook she needs to develop one of them. She’ll then start with a rough storyline, followed by the opening number, something slower in the middle and then the finale. Once she gets going, it usually takes her two or three months to write. She said:

“I start by thinking of the style of the songs. I like writing songs that are part of the story – it’s much more fun. But I also want them to be able to stand alone, to be accessible and catchy. I like a good song that you can sing afterwards, like in The Sound of Music, Calamity Jane and Grease. But my initial plan can change quite dramatically. Anything can happen.”

Writing as ECR Roberts, Emily describes her musicals as upbeat with a couple of more poignant moments. She presented her first one, a romantic comedy of errors called Christoper Lonesome, 22 years ago. It was performed by students at Leeds Grammar School, where Emily was a teacher at the time, because she couldn’t find a venue willing to put on a show by an unknown writer. It was a sell-out, but it was a decade before Emily found the time in her busy life to write another one.

Going Grey was staged in the summer of 2013. It told the story of a recently-widowed woman who had met someone new and was performed to such great success in York that the following year it ran for 15 nights in venues across London and North Yorkshire.

Personal experience

Emily’s shows are often based on personal experience. Her third musical, The Pecking Order, was produced in 2018. It came about after Emily moved from York to Kirkby Malzeard near Ripon, giving her the experience of living in a rural community to flesh out her idea for a ‘farming boy meets city girl’ storyline. 

Her fourth musical, Let Me Be The One, was inspired by the UK’s worst ever decade in the Eurovision Song Contest, when it failed to reach the top ten at any point from 2010. Watching on TV as Michael Rice came last in 2019, Emily, a long-time fan of Eurovision who had always wanted to write a musical about it, had her lightbulb moment. She said: 

“It really struck me that it was the end of such a bad decade for the UK. I had the idea to set the story at that moment in time and focus on two fans and their efforts to help the UK get back in the top ten of Eurovision. The story ends on the finals night of 2020.” 

She wrote the show in anticipation of presenting it before the real contest in 2020, and even received sponsorship to take the show to Rotterdam, that year’s host. But when the pandemic put paid to those plans, she made it into a film instead and later took it to London and Knaresborough. 

Emily on guitar as part of a group of Eurovision fans outside the Conference Centre on the 40th anniversary of Harrogate hosting the competition.

With each musical, Emily learns something new. After lugging around three big bales of straw for The Pecking Order, she’s since stuck to more manageable props: All Those On Board features just eight deckchairs and some beach balls. Little things have made a big difference, such as placing songs to bring a scene to an end rather than them being an interruption in the middle of it. Instead of using a small band to accompany the shows, musical instruments are now incorporated into props or furniture and played by the cast for a more seamless production.   

All the shows are presented by Drip Drop Theatre Company, which Emily set up for her second musical and  named after a phrase from Azerbaijan’s 2010 Eurovision entry. The company’s cast members join mainly through word of mouth, with most coming from Kirkby Malzeard, Burton Leonard, Ripon and Ilkley. As well as writing the song music and lyrics, Emily also writes the script and the choreography, directs each show, occasionally performs, and does all the publicity and admin. She said:

“The whole joy for me is creating the music and the lyrics together. I particularly love trying to find quirky little rhymes and making the emphasis of the words fit the emphasis of the music. Cole Porter is my favourite of all musical writers. His music and lyrics are so beautifully written. He had such a way with marrying the lyrics with the musicality of the score.

And I really enjoy the choreography. When I write the shows now, I’m already thinking about the choreography.”

All Those On Board runs at seven venues including Ripley, Ripon and Kirkby Malzeard from May 30 to June 8. Tickets cost £10 for adults and £8 for under 21s (booking fee applies) and can be booked here.

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This story is sponsored by Bright Light Musical Productions.

A new local musical theatre group is set to bring the hit Netflix musical Tick, Tick… BOOM! to Ripon, with an exciting two-week run starting this Thursday.

Tick, Tick… BOOM! will be the debut show for Bright Light Musical Productions, which is made up of a young and passionate cast and creative team from across the Harrogate district.

The troupe has spent the last nine months preparing for the show at the newly-refurbished Ripon Arts Hub from Thursday, February 16 until Saturday, February 25.

Dan Crawfurd-Porter, who is producing the show, told the Stray Ferret:

“Tick, Tick… BOOM! is a must-see for any theatre fan.

“Inspired by a love of musical theatre legend, Jonathan Larson, this has been the ultimate passion project and it feels fitting to channel that passion into telling the story of Larson through his own words and music.

“As Jon asks: ‘What does it take, to wake up a generation?’, the answer, we hope, is this show!”

Bright Light Musical Productions’ show boasts an intimate cast, a four-piece rock band and a stunning 90s-inspired set.

Director William Thirlaway, musical director Matthew Peter Clare, and choreographer Freya McIntosh have all driven the show creatively.

The two-week run for this musical spectacular is to not be missed. The clock is ticking, so get your tickets now by clicking or tapping here. Tickets are just £15.

Tick, Tick… BOOM! is the story of Jonathan Larson

The musical Tick, Tick… BOOM! is based on the true story of promising theatre composer Jonathan Larson before he went onto create the hugely successful Rent.

About to turn 30 and still waiting tables for a living, Jon is desperate to create something truly great before his time runs out.

The pressure grows as Jon’s girlfriend, Susan, announces that she wants to get married and move out of the city and his best friend, Michael, quits acting and finds financial success on a different career path.

This is the debut show from Bright Light Musical Productions.

As the time ticks by, Jon debates whether he should throw in the towel.

Tick, Tick… BOOM! was a hit on Netflix and received acclaim for Andrew Garfield’s performance as Jonathan Larson and Lin Manuel Miranda’s direction.

Now, just over a year since the film’s release on Netflix in November 2021, Bright Light Musical Productions is bringing the musical to Ripon.

The show starts this Thursday and runs with matinee and evening performances until Saturday, February 25.

Click or tap here to get your tickets for Tick, Tick… BOOM! at Ripon Arts Hub now. 

Ripon Amateur Operatic Society will stage its first major production since covid tomorrow when it performs Jesus Christ Superstar.

The award-winning musical will be performed at various days over the next two weeks in the newly-refurbished theatre at Ripon Arts Hub on Allhallowgate.

The 120-seater theatre underwent a major refurbishment when it was forced to shut last year.

It has a new ventilation system, new seating, improved sound and lighting and a modernised bar.

The newly-refurbished Ripon Arts Hub.

Shows will be held on selected days over two weeks  — October 7 to 9 and October 14 to 16 — with evening performances at 7.30pm and additional 2.30pm matinee shows on Saturday 9 and Saturday 16 October.

The rock opera, which follows Jesus’ last two days through the eyes of Judas Iscariot, is set to music by Andrew Lloyd Webber and lyrics by Tim Rice.

It includes songs such as “I Don’t Know How to Love Him”, “Superstar” and “Heaven on Their Minds”.

Ripon Arts Hub re-opened in September after 18 months of fundraising by volunteers behind the scenes,

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The upgrade of the premises, which are owned by the society, was partly funded by a £54,339 grant from the government’s £1.57 billion Culture Recovery Fund, launched to help cultural organisations and heritage sites to recover from covid.

As well as being the setting for the society’s own productions and rehearsals, the re-vamped venue provides Ripon’s first community arts space.

Tickets are available at https://www.ticketsource.co.uk/riponoperatics

Ripon Arts Hub has opened its doors to the public after 18 months of fundraising by volunteers behind the scenes,

The premises on Allhallowgate, owned by Ripon Amateur Operatic Society  were refurbished during lockdown.

The upgrade was partly funded by a £54,339 grant from the government’s £1.57 billion Culture Recovery Fund, which helps cultural organisations and heritage sites recover from covid.

It has enabled the society’s Operatic Hall to be transformed into a modern, fully ventilated theatre for live performances and events.

As well as being the setting for the society’s own productions and rehearsals, the re-vamped venue provides Ripon’s first community arts space.

It is also available for private hire.

The first in a series of live performances was held yesterday evening, with the Hilarity Bites Comedy Club, hosted by Lou Conran and featuring Steve Shanyaski and Stephen Bailey.

Hilarity Bites returns on 5 October with another evening of stand-up comedy, this time featuring Danny Deegan, Paul F. Taylor and Martin Mor.

Tomorrow (Thursday) the hub stages the drama Mrs Beeton, My Sister

The one-woman show by award-winning playwright Alison Neil (pictured above) focuses on the extraordinary life of Britain’s first domestic goddess.

The play focuses on Bessie Mayson’s view of her older sister Isabella, who married publisher Sam Beeton – a union that culminated in her writing the world-famous Beeton’s Book of Household Management.

The society will take centre stage from 7 to 16 October, with performances of the musical Jesus Christ Superstar.  Tickets for the 10-day run of shows are now on sale.

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The score by Andrew Lloyd Webber and Tim Rice includes numbers such as I Don’t Know How to Love Him and Superstar.

Other upcoming events this autumn include the Same Same but Different family dance show and Cilla and the Swinging 60s, in which West End singer Sandy Smith celebrates the life of the late pop icon.

Carys Peedell is following in the footsteps of leading British actors by winning a place on the National Youth Theatre summer course.

The Ripon Grammar School sixth form student will be treading the boards where the likes of Dame Helen Mirren, Daniel Craig and Orlando Bloom developed their acting talent.

Carys, 17, won the highly-prized place following a two-stage virtual audition.

As well as entitling her to become a member of the National Youth Theatre company until she is 25, attendance on the course will open the door to casting auditions and opportunities for productions up and down the country.

Carys Peedell plans a career in acting

Carys has dreamt of being a star of stage and screen from an early age.

She said:

“I’ve loved acting for as long as I can remember – when I was little, I would constantly dress up and make films with my sister.”

Being a quiet child, she was only offered minor parts in primary school productions but she confesses she wrote her own version of a play at nine years old to guarantee a leading role.

Through performing, Carys has conquered her shyness. She said:

“I found I could be loud and confident when playing someone else. People saw me in a different light and that’s when I decided I wanted to be an actor.”

The National Youth Theatre now beckons. She said:

“It’s an amazing opportunity and has been the launch pad for many successful acting careers.”

Carys, who studied acting, dance, singing and musical theatre with Upstage Academy in Ripon, achieved distinctions in all her London Academy of Music and Dramatic Art exams, including grade eights in solo acting, duo devising drama and group acting.

One of the highlights of her acting career so far has been, along with acting partner Alfie Davies, winning at the Harrogate Competitive Festival for Music, Speech and Drama last year.

A regular in Upstage Academy’s Harrogate theatre summer musicals, Carys most recently played the part of Elle Woods in Legally Blonde and is now preparing to film High School Musical, in which she is to play Sharpay Evans.

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She is also working on a production of Two by Jim Cartwright with a cast of keen Ripon Grammar School actors, to be performed at Ripon Grammar School on July 19.

Previous school roles include parts in Toy Story, Charlie and the Chocolate Factory, Oliver and A Midsummer Night’s Dream, for which she also won awards.