National Trust Archives - Page 7 of 8

Nun Monkton-Beningbrough Hall boat ride returns

The ferry which links Nun Monkton to National Trust property Beningbrough Hall will open once again on good Friday.

It had been temporarily closed by the pandemic.

The boat crosses the River Ouse, making one stop on the Moor Monkton bank of the Ouse.

It will operate every weekend during the warmer weather, up until the end of September. The service remains open for business on Good Friday, Easter Monday, and other bank holidays.

Started up six years ago, the ride began as a charitable endeavour. Now, it is a paid-for service run by a team of volunteers and operates regularly from 11am to 4pm.

Volunteers are trained to drive the boat in preparation for the summer season.

Wally Grout, who has been leading the training, said:

“All the skippers and crew have been out on the water to prepare for the opening weekend.

“We’re a good, friendly team and there’s no better way of spending a morning or an afternoon pottering about on the River Ouse. At the same time, we’re providing a service that people really value and enjoy.”

At Beningbrough Hall, children can enjoy an Easter egg hunt and nature trail as part of the Easter celebrations. A collection of paintings from the National Portrait Gallery are also displayed at the Hall.

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Mountain rescuers help man stuck at Brimham Rocks

A man had to be rescued when he was unable to get down from the top of one of the rocks at Brimham Rocks.

Visitors to the National Trust-owned site near Pateley Bridge are free to roam the Millstone Grit rocks, which are 325 million years old.

But a male had to be helped to safely after making it to the top of one of the rocks.

North Yorkshire Police called Upper Wharfe Fell Rescue Association to help.

A spokesperson for the association, which is based in Grassington, said:

“The team arrived promptly and quickly assessed the scene. Members climbed the rock, quickly set up ropes, the young man was made safe and lowered off.”

The incident, which required 12 attendees and took almost two hours to resolve, happened on Saturday afternoon

National Trust staff ‘bullied’ after Brimham Rocks TikTok video goes viral

The National Trust has said staff at Brimham Rocks have been subjected to bullying and harassment after a TikTok mobile DJ labelled them as “Karens” in his latest video.

DJ Zach Sabri, better known online as SUAT, claims he is “just trying to make the world dance” by blasting out rave music in unusual places.

But his latest stunt at Brimham Rocks, near Pateley Bridge, drew complaints from visitors that he was being too loud and that he was filming without permission.

National Trust staff approached the TikTok star and asked if he had permission to film there. He did not, so they asked him to leave.

He filmed the exchange with staff and included it in his TikTok video, which has now been viewed more than two million times.

In the video caption SUAT claimed: “Karen never lets me rock climb.”

‘Karen’ is used a derogatory term online to describe a woman deemed to be entitled or demanding.

A National Trust spokesperson said:

“Visitors are very welcome to take photographs and videos of the outdoor places we care for. There’s no additional charge for personal photography.

“We do ask that anyone looking to use photographs or videos for commercial use seek permission beforehand. If approved, any associated fees are used for vital conservation work to care for places featured.

“Permission is also required before filming or photographing National Trust staff and volunteers, who have a right to privacy.

“When filming at Brimham Rocks, DJ Suat was approached by staff who wanted to act on behalf of other visitors. They had received a number of complaints on the day about the noise.

“Unfortunately, as a result of this particular video, staff and their families have since been subjected to harassment and bullying, online and in person, for which we are supporting them.”

Viral TikTok video sees Brimham Rocks staff kick out mobile DJ

Brimham Rocks has gone viral in a bizarre TikTok video in which National Trust staff tell a mobile DJ he is unable to film there.

DJ Zach Sabri, better known online as SUAT, claims he is “just trying to make the world dance” — something he seeks to do by blasting out rave music in unusual places.

His latest video, which appears to be his most successful yet with more than one million views in just 24 hours, sees the DJ dance and sing in precarious places at National Trust-owned Brimham Rocks.

He also appears to lick one of the rocks.

Soon though two National Trust staff, who look taken aback by Mr Sabri, ask if he has permission to film before explaining he would need an activity licence.

In the interaction which ensues the TikTok star asks: “I am just wondering what you categorise this as?” That question gets the response: “well, I don’t know.”

@suatism

Karen never lets me rock climb… #karen #climbing #dancemusic #nationaltrust #harrogate

♬ original sound – SUAT

The DJ appears to relent in the end as he tells staff he will leave — although, he ignores their warning not to play music or film on the way out.

TikTok is a social media app popular with young people. The National Trust may not have welcomed DJ SUAT’s appearance but his video will have introduced a lot of people to Brimham Rocks, which is near Pateley Bridge.

Objectors clash with Skell Valley Project over Ripon nature reserve

Regular visitors to a Ripon nature reserve have launched a petition and called a public meeting over concerns about the scale of clearance works.

The Change.org petition titled ‘Keep Hell Wath Natural’ has gone online, while a paper petition has already been signed by more than 100 people.

The online petition calls for a stop to any more work at Hell Wath until the public meeting, which will take place at 7pm on February 23 at Ripon Bowling Club.

People are being invited to sign the petition to:

“Preserve the natural beauty, habitat and surroundings of Hell Wath open space, to protect the environment; animals, plants, hedges and trees and for this not to be changed or to become man-made or over-managed.”

Trees have been cut down on various parts of the site

What do the objectors say?

Objectors are concerned about the extent of clearance works being carried out as part of the Skell Valley Project which they believe has progressed without detailed consultation or proper engagement with local residents, who have been visiting Hell Wath for up to 50 years.

Brian Don of Keep Hell Wath Natural, told the Stray Ferret:

“I’ve been going there for 35 years with my children and grandchildren and we have enjoyed the natural beauty of the place.

“We can understand a degree of cutting back of trees and shrubs, but what we have witnessed is devastation, with trees taken out and wide-scale clearance of hawthorn and blackthorn, followed by work on the pond, which has left an absolute mess.”

Janet Anderson, who has been visiting Hell Wath for most of her life, added:

“The removal of trees and bushes has taken away the habitat of birds and small animals, such as hedgehogs. The bullfinches you used to be able to hear singing here have gone.”

Another local resident, Sandra Miles, who has been visiting Hell Wath for 50 years, said:

“I feel that this is being imposed on us and they don’t want to know what we have to say. It has been causing me sleepless nights.”

What does the Skell Valley Project say?

Nabil Abbas, manager of the Skell Valley Project, said:

“When the nature reserve at Hell Wath was designated almost 30 years ago the grassland areas were very open, but since that time the amount of scrub on the site has increased hugely. These changes are very clear looking at historic aerial photographs of the area.

“The increasing dominance of scrub has already resulted in the loss of areas rich in wild flowers which are an important feature in the designation of the nature reserve, and left unchecked the scrub threatens to overpower those open grassland areas, which provide habitat for many plants, insects and birds.

“The three days of scrub removal which took place in December had a really minimal impact on the overall cover of scrub on the site, so there is still abundant habitat around the nature reserve for bird species which use scrub.

“The scrub removal is being undertaken in line with the nature reserve management plan to conserve the balance of different habitats on the site, maintaining open areas for wild flowers, which are crucial for butterflies, bees and other pollinators, which in turn provide feeding opportunities for birds.

“The silted up wildlife pond, which was first installed in the mid 1990s but now regularly dries out, has been brought back into good condition so that it can provide habitat for amphibians, dragonflies and other insects.

“The habitat restoration has been undertaken in mid-winter when aquatic wildlife is inactive, and outside of the bird breeding season, to minimise any impact on wildlife.

What consultation has taken place?

With regard to the consultation process, Mr Abbas said:

“In 2018, in preparation for the successful first stage application to National Lottery Heritage Fund for the Skell Valley Project a range of engagement, consultation and audience development tasks were undertaken by the National Trust and Nidderdale Area of Outstanding Natural Beauty (NAONB) project team.

“This included engagement with individuals from the community as well as local parish councils, Ripon City Council, local landowners, local schools and colleges and the Ripon City plan committee.

“Throughout 2019 and 2020, ahead of the second stage bid, the Skell Valley Project team hosted a number of ‘Community Conversations’ workshops at Ripon Community House and Ripon Library.

“These sessions were designed to invite the local community to agree on a vision for the Skell Valley, discuss ideas for actions or initiatives which will help bring about the shared vision and to work together to develop those ideas and talk through how they compare with the current plan.

“These were widely advertised at key areas around Ripon, on social media and through the local press. including the Stray Ferret, Ripon Gazette, Harrogate Informer and BBC Radio York.

“More specifically at Hell Wath, the team hosted a free activity day to better engage with families as well as a public bioblitz event to record wildlife at the nature reserve.

“Both of these events were well attended. Following the successful stage 2 bid to the NLHF, the Skell Valley Project hosted the official launch celebration at Hell Wath in September 2021 which was open to the local community to come and enjoy the space and find out more about the project.

“Prior to any work taking place a Hell Wath the Skell Valley Project team posts public notices on site, on social media, and our website as well as engaging with the press for the more impactful work to keep the local community informed.

“Given that some people do not have access to social media, the project has also funded a new noticeboard which will be erected at the main site entrance to enable better communication.”

Mr Abbas confirmed that the Skell Valley Project would be happy to attend a public meeting. He said:

“Should a public meeting be held about the future of Hell Wath we would be happy to attend. The team are always willing to answer any questions or concerns about work carried out as part of the Skell Valley Project.”

The Witcher: First pictures of Harrogate district filming for major Netflix show

Two beauty spots in the Harrogate district are set to feature in the second series of a major Netflix show starring Henry Cavill as Geralt.

The Witcher, which has a cast and crew of around 250 people, was filmed at both Plumpton Rocks near Harrogate and Fountains Abbey near Ripon.

In the first series, most filming was done in countries such as Hungary, Austria and Spain. However, due to coronavirus restrictions Netflix had to look for locations in the UK.

In October last year, the Stray Ferret showed a picture taken by reader Jo McGregor at Fountains Abbey of a film crew in action. The National Trust would only say at the time it was a “major TV series”.

Ahead of the release of series two of the Witcher on Friday, the National Trust and the owner of Plumpton Rocks have now confirmed the details and released behind the scenes pictures.

Justin Scully, general manager of Fountains Abbey and Studley Royal, said:

“It was great to see such an exciting amount of activity happening onsite last year. Filming for The Witcher was by far the largest scale filming we’ve ever had here.

“Our visitors really enjoyed seeing such a big production happening around the property and had fun guessing what was being filmed, which we had to keep confidential at the time.

“There was a huge amount of work that went on behind the scenes to make it all happen.

“We worked for months with the production team from Netflix as well as specialist filming conservators so that we could ensure the safety of visitors, staff and of course the abbey and water garden.”

The National Trust added that the location fees it received will be spent on essential work at Fountains Abbey.

Robert de Plumpton Hunter, who owns Plumpton Rocks and has spearheaded a major £700,000 renovation at the site over the last several years, told the Stray Ferret:

“Netflix brought a major crew for the Witcher to Plumpton Rocks, where they filmed for about two weeks.

“Particularly during coronavirus it was great for Harrogate’s economy. I am looking to forward to watching it.”

More pictures from behind the scenes:

A crew member uses a VFX ball to capture lighting information from the set within the ruins of Fountains Abbey. Photo: Netflix

An elaborate set and special effects light up the abbey ruins during a dramatic scene. Photo: Netflix

MyAnna Buring as Tissaia de Vries in the ruins of Fountains Abbey. Photo: Netflix

Project begins to restore habitats at Ripon nature reserve

Work has begun at Hell Wath Local Nature Reserve in Ripon to restore precious wildlife habitats.

The conservation work is part of the £2.5m four-year Skell Valley Project, a scheme co-led by the National Trust and Nidderdale Area of Outstanding Natural Beauty and supported by the National Lottery Heritage Fund.

The Skell Valley Project is working with Harrogate Borough Council to deliver the Friends of Hell Wath Nature Reserve management plan, which is part of a wider scheme of work to help nature thrive in the Skell Valley and Ripon.

Hell Wath (pictured below) is a wildflower-rich grassland, home to species such as common spotted orchid and cowslips as well as botanical rarities such as adder’s-tongue fern and bee orchid.

Photo of Hell Wath

Invasive ‘scrub’ is spreading across the open grasslands, swamping out the wildflowers and reducing feeding opportunities for butterflies and other pollinators.

Councillor Andrew Paraskos, Harrogate Borough Council’s cabinet member for environment, waste reduction and recycling, said:

“Scrub, the bushes and thicket that develop at the edge of woodland, is an important wildlife habitat but left unchecked it can lose its value for nature and overwhelm the delicate grassland.

“While it can seem counter-intuitive to remove trees to help nature, this work is about maintaining the overall importance of the habitat at Hell Wath so that as many species as possible can flourish.”

The scrub removal is part of a wider scheme of work that will be delivered at Hell Wath as part of the Skell Valley Project.

During winter, a silted-up pond will be reinstated to restore habitat for amphibians and dragonflies. In coming years, the project will work to improve footpaths on the reserve, with better waymarking and interpretation.

Nabil Abbas, project manager for the Skell Valley Project, said:

“By working with our partners at Harrogate Borough Council and the Friends of Hell Wath, the charity established by volunteers to care for the site, we can make a real difference for nature in Ripon and for the people who enjoy visiting this lovely green space.

“We’re passionate about encouraging people to get involved in caring for the nature, wildlife and heritage around them. Next year there will be a programme of events giving people the opportunity to learn more about the wildlife in their local area.”

More information about the project is available at: nationaltrust.org.uk/skellvalleyproject

Harrogate becomes battleground for National Trust woke and hunting rows

Harrogate became the battleground today in the ongoing debates about wokeness and hunting at the National Trust.

The charity held its annual general meeting at the Harrogate Convention Centre today. Local people passing the building this morning may have noticed a wave of green protesters outside from the League Against Cruel Sports.

But there was also another group, Restore Trust, campaigning for change on the inside at the meeting.

The trust, which has more than 500 properties including Fountains Abbey and Studley Royal Water Garden near Ripon, held various votes today to determine how the organisation moves forward.

Some of the motions to have attracted national media attention were for a ban on hunting on trust land and for the protection of volunteers who refuse to support political movements.

Orna NiChionna Turner, deputy chair of the National Trust, speaking at the event today.

Emma Judd, deputy director of policy, campaigns and communications at the League Against Cruel Sports, told the Stray Ferret:

“I am overwhelmed by how much support we have got, they have come from near and far to give up their time because they are passionated about animal welfare.

“Hunting was made illegal in 2004. But after the ban came trail hunting. We have been saying for a long time that it is often a smokescreen for illegal hunting.

“So by allowing trail hunting, the National Trust is risking criminal activity on their land. Hopefully we can make history in Harrogate today if the National Trust bans it.”

Cornelia van der Poll, a spokesperson for Restore Trust denied any interest in wokeness despite it being the centre of a great deal of media coverage in the run up to the AGM. She told the Stray Ferret:

“We have put forward three resolutions today on remuneration, on curators and on volunteers. The woke debate is not something I am interested in.

“Restore Trust is interested in proper consultation of staff, members and volunteers. We are interested in proper curatorship and the things the National Trust looks after.

“It should not be Disneyfied or dumbed down but presented in a scholarly way that presents understanding. That is the way. We should not be amused or entertained but to understand and appreciate.”

Pyramid artforms at Fountains Abbey bring echoes of the past

Striking contemporary art, with echoes from the past, has been installed at Fountains Abbey and Studley Royal water garden.

Visitors to the 800-acre UNESCO World Heritage site, will see a visual transformation, brought about through the work of Steve Messam.

His three thought-provoking installations titled These Passing Things, have been designed to prompt another way of looking at landscape and historic buildings.

Drifted – 12 Floating pyramids in the canal – takes its inspiration from a lost pyramid folly, designed as a memorial monument to honour John Aislabie, the original designer of the water garden.

Following Aislabie’s death, in June 1742, his son William commissioned a 16-metre-high funerary pyramid.

Bridged, reflected in the waters of the river Skell, stands out in the landscape with the abbey ruins providing a stunning backdrop.

However, despite archive records of scale drawings and detailed costings for the piece, no further mentions of it were ever made and no record or evidence exists of this mysterious pyramid ever being built

Mr Messam’s second artwork is Bridged – a scarlet contemporary bridge sitting across the river Skell, close to the site of a lost iron bridge from the 18th century.

The Drifted and Bridged installations will be on display throughout the summer, while Spiked – an inflatable artwork – will be making occasional appearances.

It bursts through the columns of The Temple of Piety, with a statue of Neptune, the Roman god of the sea, looking on from the lake.

Steve Messam is pictured with Spiked, which provides the opportunity to reflect on the contrast between classic and contemporary artforms

The Aislabie family, created many follies to surprise and delight their 18th century guests and Mr Messam hopes his contemporary works will attract similar attention.

He said:

“I guess the overall thing is identifying with the whole concept of follies – architectural oddities of no specific function, other than their visual aesthetic.

“While, over time, we may invest them with meaning or stories, at their core they’re just there – large-scale artworks in the landscape. As an artist that’s what I’ve been interested in for the past 20 years.

“I’m also interested in the role that follies play in creating focal points in constructed views of the landscape.”

Justin Scully, general manager at Fountains Abbey and Studley Royal, said:

“Studley Royal water garden is a designed landscape; a living work of art.

“By working with artists, responding to this legacy, we’re helping to bring the water garden to life for our visitors today.

“We hope that These Passing Things will get our visitors thinking and start a conversation about the connection between the past and the present, whilst offering people a relevant, fresh experience of the Georgian garden.

Through its Trust New Art programme, which is supported by Arts Council England and the Arts Council of Wales, the National Trust aims to connect more people to its places through contemporary arts.

More details can be found at nationaltrust.org.uk/fountainsabbey

Brimham Rocks photography exhibition inspired by what lies beneath

Brimham Rocks can be seen in a different light at an exhibition starting on Monday.

Innovative Yorkshire landscape photographer and artist Joe Cornish has captured the ancient rock formations at different times of day and seasons of the year.

His images reveal the rugged landscape from a point of view that few people see.

Mr Cornish’s photographs and images captured in other mediums, will be on display at the Brimham Rocks visitors’ centre from June 21 until November 30.

The iconic moorland was formed by a huge river that covered the area 100 million years before dinosaurs made their first footprints on the earth.

The Drawn to Rock exhibition is part of the National Trust’s celebration of 50 years of ownership of a site that has been attracting visitors since the 18th century.

Joe Cornish’s photographic exhibition will be on display until November

Mr Cornish said:

“The photographs and mixed media pieces for this exhibition were created through numerous visits to Brimham in many conditions, and subsequent ruminations on the nature of geological time.

“Inspired by what lies above the surface, the intention is to reflect on what lies beneath it, something that finds its equivalent in the human condition.

“Although landscape photography remains the primary form of expression, by using words and paint as well, I hope to question the hard boundaries that exist between different media, as well as exploring the interplay of material and energy inherent in sedimentary geology.”

Brimham Rocks in winter – one of the images in the exhibition

Most people visit Brimham during the day, so Mr Cornish wanted to capture the rocks at night – a time when few people see them and the surrounding countryside.

Through his nocturnal images, Brimham takes on a very different but powerful guise, as he plays with light and shadows.

Some of Mr Cornish’s daylight images contrast the wide-ranging views of the rock formations many know so well, with extreme close-ups of the rock structures within the same image.

Although known primarily as a photographer, he hasn’t always worked in this medium, originally beginning his career working in fine art.

Through his work on this project, Mr Cornish included an experimental aspect to his craft, combining photographs with added elements of paint and text.

Justin Scully, general manager of Brimham Rocks said:

“We’re delighted to be working with Joe, especially since we had to postpone the exhibition because of the coronavirus pandemic.

“His work captures the power of landscape at Brimham but also helps us look at it in a new light at a time when, as well the growing appreciation of nature, we are also more than ever aware of the threat to nature from climate change.”