TV architect George Clarke will bring buildings to life at Harrogate’s Royal Hall

TV architect George Clarke will share stories from a ‘Life in Amazing Architecture’ at Harrogate’s Royal Hall.

He will visit the town on October 18 as part of his debut live tour, which will give fans a glimpse behind the scenes of Mr Clarke’s hit series, including The Restoration Man, Amazing Spaces and Remarkable Renovations.

The live show will include audio-visual features, as Mr Clarke shares tales from his childhood, how he was inspired to pursue architecture, and how he stumbled into TV, as well as talking audiences through some of the architectural highlights of their local area.

The Sunderland-born architect is no stranger to Harrogate, having filmed a number of TV episodes in the town, including the restoration of The Chapel on Grove Road and the transformation of a 200-year-old dilapidated barn.

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Mr Clarke said:

“I’m just a storyteller, about people and about buildings. So to be going on tour, to be able to tell my story is amazing.

“I already felt like the luckiest boy in the world to do architecture, but to travel the country talking about architecture and my life – it’s off the scale amazing.”

Tickets for George Clarke’s Life In Amazing Architecture go on sale at 10am on Friday, March 11 from www.ticketmaster.co.uk

When legendary wrestlers Big Daddy and Giant Haystacks came to Harrogate

40 years ago two spandex-clad giants came to Harrogate.

The names Big Daddy and Giant Haystacks conjure up scenes of smoky ballrooms and chants of ‘easy easy easy’.

Harrogate’s opulent Royal Hall has hosted ballet, theatre and opera in its 120-year history — but for many people, it’s memories of big blokes wrestling that they cherish the most.

The Stray Ferret uncovered an advert for a tag team contest that involved Big Daddy and Giant Haystacks, which took place on a Monday night in February 1982.

Tickets cost £1.50 but it was £2 for ringside seats, a chance perhaps for the ladies to whack the wrestlers with their handbags.

Other household names such as Les Kellett, Jackie Pallo, Mick McManus and Kendo Nagasaki were also regular performers at the Royal Hall throughout the 1960s, 70s and 80s.

The opulent Royal Hall regularly hosted wrestling. Credit – Jim Counter

“20 stone bull-necked brute”

Big Daddy, who was born Shirley Crabtree, was billed on the card as “children’s favourite, a hero of our time”.

The Halifax man was 6ft 6″ tall and had a record-breaking 64″ chest.

But even he was dwarfed on the night by his ring nemesis Giant Haystacks, who was billed as 6ft 11″ scaling a gigantic 40 stone. 

Haystacks reputedly ate three pounds of bacon and a dozen eggs every morning to maintain his strength. Paul McArtney and Frank Sinatra were fans.

Legend in Harrogate goes that after the match, Big Daddy and Giant Haystacks went for a drink at the cocktail bar in the Traveller’s Rest pub, but they both had to duck through the entry and just about filled the place on their own.

Also on the Royal Hall card in 1982 was Castleford wrestler, the “20 stone bull-necked brute” Mal King Kong Kirk.

But in a sad twist, he died in the ring after a trademark Big Daddy Splash and it was said Daddy was never the same man afterwards.

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Good memories

We asked members of the Facebook page Harrogate, Past, Present And Future if anyone had memories of the night in 1982.

Paul Mitchell said the fans went home happy after Big Daddy’s team won:

“Yes I remember, Giant Haystacks was disqualified before the bout started, so Big Daddy won”.

Jill Rimmel said she used to go to the wrestling at the Royal Hall with friends from work.

“There was a lady that sat ring side with her handbag that lashed out at the wrestler’s, so funny. I could have been there that night, good memories.”

Susan Aspey added:

“My mum used to work at the Royal Hall and I used to go and watch the wrestling sometimes. Jimmy Two Rivers was a favourite there as well.”

 

Harrogate conductor Andrew Padmore to return for farewell choral concert

Harrogate Choral Society will welcome back one of its former longstanding conductors for a farewell concert this month.

Andrew Padmore was musical director of the society since 2005 until his retirement last year. But he has agreed to return to the Royal Hall on March 19 for a final performance.

The concert, which has been in the works since 2020 when it was postponed due to covid, includes Puccini’s Messa di Gloria and Rossini’s Stabat Mater.

Soloists include Sarah Power (soprano), Stephen Gadd (bass), Clare McCaldin (mezzo) and Austin Gunn (tenor). They will be accompanied by the choir and Manchester Camerata orchestra.

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The society is a mixed age, voice choir which has been running since the 19th Century.

Paul Jackson, co-chair of the choir, said;

“We are very pleased that Andrew is returning for this farewell concert, which includes, as Rossini himself rightly said, ‘music of the finest quality’. This will be an exciting evening.”

Tickets are £25 or £5 for concessions and can be bought from the box office at Harrogate Theatre.

Opinion: The big lie

The news that we are all facing extraordinary rises in energy prices, together with the forthcoming reorganisation of local government are but two aspects of the great lie and con trick played on us by decades of politicians and career officers, that bigger is always better.

It is this grotesque fallacy that has led to local people losing control of the services that they originally created, financed and administered, in exchange for services controlled by strangers for whom the screwing of as much profit as possible from their reluctant customers, with as low a service as possible, seems their only purpose.

Let me provide some examples relating to Harrogate, with the reorganisation of local government being a particularly topical issue.

Local government

The liars say that Harrogate has too small a population to be a unitary authority. Of course they say this, as it is in their interests to promote the concept of big authorities, as salaries and payments are invariably higher when applied to responsibility for a larger population as against a smaller one. They will say that the merging of – say – six local authorities will mean one chief executive instead of six, one borough planner instead of six, one treasurer, instead of six, etc. etc. Whereas in truth, the savings come at the dire cost of local people becoming further removed from control over the services for which they are paying.

Harrogate too small to be a unitary authority. Rubbish! Today, the Harrogate district’s population is around 161,000, that of the town being little over 75,000. Yet when Harrogate town had a population of only 26,583, about two thirds smaller than the Harrogate town of today, it was able from the yield of its local rates, to build the Royal Baths, the Royal Hall, a gigantic series of reservoirs and an unequalled water distribution network, to run its own electricity works, to build and run its own schools and pay the staff salaries, to administer its own fire services, run its own public health facilities and many other things. All this was possible because Harrogate had the authority to levy its own council rates (and to keep the greater part of the income) and for Harrogate’s Council to spend the proceeds in ways permitted by Acts of Parliament.

Kursaal,at height of Edwardian season. Walker-Neesam archive

The Royal Hall, previously known as the Kursaal, at height of Edwardian season. Pic: Walker-Neesam archive

Yet today, thanks to the gradual erosion of local democracy, the present North Yorkshire County Council takes the vast majority of every pound paid in council tax by Harrogate residents, with much less going to Harrogate Borough Council. Is it any wonder that our democratically elected Harrogate borough councillors are hamstrung at every turn when they try to provide the services demanded by local residents? The secret of true local democracy has little to do with population sizes, and everything to do with financial control, which must include the power to set local taxation and the power to spend such taxation within the town that supplied it – such powers being determined by Parliamentary authority.

Naturally North Yorkshire’s councillors and career officers will seek to expand their spheres of influence, and to retain and enhance their existing stranglehold on Harrogate – it is absolutely in their interests to do so. But history shows that their ever increasing power to control our lives has been at the cost of local representation and accountability. The latest calamitous “reforms” of local government will further reduce the rights and powers of local people to control their own lives, with Harrogate becoming further prey to the financial leech which is bleeding the town to finance road repairs in Tadcaster, libraries in Skipton, schools in Easingwold, and social services in Selby.

Nevertheless, it remains my hope that one day – maybe in 50 or 100 years time – Harrogate will regain powers to control its own finances, and re-establish democratic control of its affairs by its citizenry.

Gas

When some Harrogate people decided the town should have access to a supply of gas, they obtained an enabling Act of Parliament in 1846, after which a gas works was built at Rattle Crag financed by local private shareholders.

After overcoming initial difficulties with the Improvement Commissioners, the gas company supplied the lighting of the public streets as well as gas for residential and commercial use. The profits produced went back into improving the gas plant and paying the salaries of those employed in the work, many of whom lived at New Park.

After several extensions of its area of supply, Harrogate’s gas company was nationalised by the Gas Act of 1948, which merged some 1,062 privately owned and municipal gas companies into 12 area gas boards.

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The York, Harrogate and District group of gas companies had already merged on 1 January 1944, comprising Harrogate, York, Malton and Easingwold, which were joined by the Yeadon, Guisley, and Otley companies on 1 October 1946. This arrangement, however, barely survived for two years, until the 1948 Gas Act changed everything.

With every enlargement, control of the manufacture, distribution and pricing of gas passed further away from the people who had created the company, and for whom its products were intended, to huge, impersonal and uncaring conglomerates.

This process has continued to this day, resulting in the crazy situation that Harrogate’s gas customers now have absolutely no control over the gas they use nor the rate at which it is priced. What would those Victorian founders have said on hearing that we are to some extent reliant on Russia for the continuance of our gas supplies?

Electricity

Electricty works 1897 opening ceremony Walker-Neesam archive

Electricity works opening ceremony in 1897. Pic: Walker-Neesam archive

In order to provide the people of Harrogate with an alternative to gas, Harrogate Corporation’s elected representatives built a Municipal Electricity Undertaking near to the site of the present Hydro, which opened in 1897.

The people’s democratically elected councillors regulated the supply and pricing of electricity with regard to the local situation, so that when in 1933, at the height of the terrible depression, many were experiencing economic hardship, the council reduced the unit cost of electricity from one penny to three-farthings.

When war came in 1939, Harrogate’s Electricity Undertaking was supplying 20,670 consumers, and selling 26,815,046 units of power, with a gross income of £178,857.

By the end of the year to March 1945, those figures had increased to 21,977 consumers, selling 39,254,676 units of power, with a gross income of £242,412 – an incredible achievement given the conditions of war time operation.

But in 1948, and by order of the government’s Electricity Act of 1947, Harrogate’s Electricity Undertaking was transferred to the enormous new British Electricity Board and thus removed from the town a valuable asset which had hitherto been controlled by local people.

Water

Turning on the reservoir water. Pic: Walker-Neesam archive

Just the same thing as described above applies to water. When a group of local people raised money to establish the Harrogate Water Company, following a Parliamentary Act of 1846, the townspeople supported the project, and the little company grew as the town grew.

In 1897, an Act of Parliament empowered Harrogate Corporation to buy out the private water company, which was then run purely for the benefit of the townspeople. Under the inspirational leadership of Alderman Charles Fortune, the corporation undertook a massive programme of reservoir and distribution construction, which ensured Harrogate had an adequate supply of water for the next 50 years.

Harrogate’s municipal water undertaking was one of the jewels in Harrogate’s crown until the 1945 Water Act, which paved the way for the creation of the huge Claro Water Board in 1958/9, which covered an area of 420 square miles, between one fifth and one sixth of the area of the West Riding of Yorkshire, with a population of 119,000. On such a scale, it was inevitable that the concern would no longer be run purely in the interests of the people of Harrogate, nor would its profits be returned to the local economy.

Malcolm Neesam, Harrogate-based historian

Harrogate theatre chair on the panto, scaffolding and being ‘cautiously optimistic’

Cancelled shows and a huge roof renovation have made the last 18 months “very difficult” for Harrogate Theatres but the chair says it is going into 2022 “cautiously optimistic”.

Knaresborough-born Deborah Larwood, who has been visiting the theatre for years, worked in the arts sector for over a decade before she took a seat on the board four years ago. She then became chair in December 2019.

Harrogate Theatres is a charity that hosts events at Harrogate Theatre, Royal Hall and Harrogate Convention Centre.

Its biggest challenge during the pandemic has been generating enough income to cover costs whilst being unable to get on stage.

It has held online workshops, socially distanced theatre and launched its HT Together fundraising campaign.

Ms Larwood said initiatives like these and grants from the likes of Arts Council England have been crucial to the theatre’s survival and allowed it to plan for upcoming events.

Cinderella ends today

The biggest event for the theatre each year is its annual pantomime. As Cinderella comes to a close today, after running since November, Ms Larwood said she was pleased with its success although it is unclear how well tickets sold compared with previous years. She said:

“People’s habits have changed during the pandemic and some of our usual audience members still aren’t comfortable in the auditorium. We still had huge success in terms of ticket sales, but it was different especially with some schools choosing to cancel their trip.

“When we lost the panto in 2020 it was a significant worry because we rely so heavily on that revenue we earn.”

Some of the cast of this year’s pantomime, Cinderella. Photograph: Karl Andre

She added tickets for this year’s pantomime, Aladdin, are already selling with a number of schools also choosing to book.

Roof completion date still set for March 

One of the biggest projects undertaken in the last 12 months has been the roof renovation. The project has been managed by Harrogate Borough Council, which owns the building.

Work began in May last year and with multiple setbacks due to covid and building materials it is now due to be completed by March.

Ms Larwood said workers on site were “determined” to stick to that date.

The theatre roof during works in June 2021.

The board has been trying to recruit new trustees. Last year, Ms Larwood, said multiple trustees came to the end of their tenure, which gave the opportunity to bring in new people and expertise.

She said:

“The pandemic allowed us to refocus and its exciting to hear from new people who are equally as passionate as us about the arts.”

So far the charity has added Fiona Hunt to its board but plans to speak to more potential new trustees after panto season.

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‘Necessary evil’ to make people redundant 

During the pandemic the theatre made staff redundant in an attempt to remain open. Ms Larwood said it was a “necessary evil”.

Long-term closures in 2020 and 2021 meant a big loss in revenue. Ms Larwood said despite the grants, cuts had to be made.

However, the charity hopes to start recruiting again this year. She said:

“We had terrible levels of redundancies but we had to make sure we made it through the other side. Recruitment will begin in earnest, but it’s all about striking a balance. We need people but we live in a time of rapid change and hiring too quickly is a big investment to lose.

“Our core team has been amazing throughout, doing the job of a team normally two or three times its size. It’s now time for us to bring in new people as we move into a busy year.”

Mayor’s Christmas Carol Concert to go ahead at Royal Hall

The Mayor’s Christmas Carol Concert at Harrogate’s Royal Hall has today been given the green light to go ahead.

The concert is a popular part of the Harrogate district’s festive programme but this year’s event had been in doubt due to covid.

Harrogate Borough Council said a fortnight ago it was “working with public health to determine if and how the event can take place safely given the rising covid rates amongst school-age children who form the choir and orchestra for this event”.

But a council spokesman confirmed today the event, which was cancelled last year due to covid, would take place at 6pm on December 23.

Tickets are free but have to be booked in advance. You can do so here.

Face coverings must be worn.

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Covid could scupper Mayor’s Carol Concert at Royal Hall

A decision is still to be made on whether to stage this year’s Mayor’s Carol Concert at Harrogate’s Royal Hall.

The concert, which is traditionally held on Christmas Eve, is a popular part of the Harrogate district’s festive programme. Tickets are free but usually sell out well in advance.

The hall is open for business but with Christmas just five weeks away, Harrogate Borough Council still hasn’t given the carol concert the green light.

A council spokeswoman said:

“The council is currently working with public health to determine if and how the event can take place safely given the rising covid rates amongst school-age children who form the choir and orchestra for this event.”

The spokeswoman added the council hoped to be in a position to provide further details “in the near future”.

Last year’s concert was held remotely due to covid.

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Harrogate Choral Society returns with Brahms and Elgar

Harrogate Choral Society will return to the concert stage after an absence of nearly two years on November 13.

The society will perform Elgar’s Enigma Variations and Brahms’ German Requiem at Harrogate Royal Hall under new conductor David Lawrence.

Mr Lawrence is a familiar face in Harrogate schools through his work as principal conductor of Young Voices choir.

In addition to holding the Guinness World Record for conducting the UK’s largest choir of 6,846 singers, he has adjudicated for international festivals.

He said:

“I’m thrilled to be Harrogate Choral Society’s new conductor and am very much looking forward to November’s concert programme, with its mix of well-loved uplifting and contemplative pieces.”

The concert opens with two choral works by Elgar, Give unto the Lord and Ave Verum, followed by the Enigma Variations, which are given an added twist by being arranged for two pianos played by brothers Thomas and Stephen Moore.

The brothers will again accompany the final work, Brahms Requiem, which also features soloists Laurie Ashworth (soprano) and Adam Green (bass).

More details are available here and tickets are on sale here.

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Annual Christmas concert at Harrogate Royal Hall returns

The annual Christmas concert at Harrogate’s Royal Hall featuring Brighouse and Rastrick Brass Band will return in December following last year’s cancellation.

The Christmas Fantasy concert will once again see the famous brass band perform with chorus accompaniment from Harrogate Gilbert and Sullivan Society.

It is due to take place on December 18 with both a matinee and an evening show.

The show will consist of original songs from the band, Gilbert and Sullivan classics and some Christmas favourites.

Last year the show was cancelled for the first time since it was first performed over 30 years ago due to covid restrictions.

Carrie Brown, chair of the Harrogate G&S Society, said;

“We want it to be a very special relaunch given that it was cancelled last year. We’re lucky to have some very loyal people who have come to see us year on year and use it as a way to start off their Christmas.”

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The Harrogate G&S society was formed in 1972 by enthusiasts for the Victorian theatrical duo.

Brighouse and Rastrick Brass Band dates back to 1881 and has performed across the globe.

Tickets are due to go on sale in September with under-16s allowed entry for free.

First major event at Royal Hall since coronavirus will have restrictions

Harrogate’s Royal Hall is set to host its first major event since its closure last year — but some covid restrictions will remain in place.

The Gilbert and Sullivan Festival, which takes place from August 8, will be limited to 55% of the venue’s 950 seat capacity.

A one-way system will also remain in place and those attending will be asked to wear a face mask.

Usually the festival attracts audiences from around the world as well as groups from universities across the UK but neither will be in attendance this year.

Nevertheless, the 11-day event will provide a major boost to the district’s economy, with thousands of people attending the comic operas, including The Pirates of Penzance, The Mikado and HMS Pinafore.

The festival began in Buxton, Derbyshire but moved to Harrogate in 2014. The 2020 festival was set to be the biggest ever before covid hit.

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Festival organiser Janet Smith said:

“The Gilbert and Sullivan Festival is what everyone needs at the moment. It is uplifting entertainment that takes people’s minds off the last couple of years.

“It’s just pure enjoyment and ensures audiences have a jolly good laugh. Our loyal audiences have been so supportive, we couldn’t let them down.

“This is also important for our fantastic opera singers and musicians, who have been unable to perform and delivering Amazon boxes through lockdowns.”

Ms Smith added she was determined to continue the legacy of her late husband Ian Smith, who died in 2019 after re-establishing the Gilbert and Sullivan genre in 1994.

Paula Lorimer, director of Harrogate Convention Centre, which manages the Royal Hall, said:

“It’s the first major entertainment event at our conference centre since we re-opened, so it’s a huge joy to see them return.

“We normally welcome aficionados and fans from around the world, alas this won’t be the case this year, but the show will go on! We look forward to giving visitors a warm welcome.”

Harrogate Conference Centre and The Royal Hall now has a packed programme of upcoming entertainment. Highlights include Billy Ocean, Jools Holland, and Jimmy Carr.

The Royal Hall reopened to the public for the first time since coronavirus on July 7 for an open day.

Interested in local events? Check out our new ‘What’s On’ page for all of the latest events in the Harrogate district.